The Romance of Zion Chapel [3d ed.]Le Gallienne, Richard
General
The Romance of Zion Chapel [3d ed.]
Le Gallienne, Richard
Clergy -- England -- Fiction; English fiction -- 19th century; Triangles (Interpersonal relations) -- Fiction
The batteries were to be turned on poor Coalchester with a vengeance.
For some time past there had been uneasy suspicions in the town that
strange and somewhat ungodly forms of new learning and beauty were being
stored as in an arsenal in that little house at 3 Zion Place. A large
cast of the Venus of Milo, it was known, had come from Covent Garden,
London, _via_ a poor little dealer in artistic materials in the town,
who on one occasion had shown a bewildering picture to one of his
customers with the remark, "What do you make of this, Mr. Littlejohn?"
Mr. Littlejohn could make nothing of it, nor indeed could the artists'
colourman, who had been used to pictures all his life.
No wonder, for it was the first Rossetti that had ever been seen in
Coalchester.
And it was the same at the little paperhanger's shop where Theophilus
had ordered some pieces of Morris wall-paper for his room.
"Law! what a taste, to be sure!" had exclaimed the paperhanger's wife as
they opened the parcel. "How any one dare live with such patterns is
beyond me." The paperhanger's wife verbed better than she knew. Few are
those indeed who dare live with beauty.
When the paper was hung in Theophil's room, so great was the sensation
in the household that even old Mr. Talbot ventured to look in at it,
keeping very close to his wife. It was so the old man had stood
open-mouthed before the first steam-engine, and here again was the Devil
plainly at work.
"Lord a-mercy, Jane," he said to his wife, "what is the world coming
to?"
The world was indeed changing beneath the old man's feet, and the
heavens opening as never before in his time--with, he might be right,
some assistance from beneath; and--it was undoubtedly safer in
the kitchen.
Mrs. Talbot in these matters lived and loved by faith in her boy, as she
called him. But even she had her doubts, which she expressed in a way
that showed, funny old woman as she was, that she was not without a sort
of blind insight.
"I suppose it's all right, boy," she said, "and it sounds silly to say
about a lot of harmless lines and flowers, but it seems to your old
mother that there's something wrong about that paper,--something almost
wicked in it. It reminds me of that nasty music you and Jenny are so
fond of playing."
Here Theophil enveloped her in a huge hug, and laughingly mocked her
with playful caresses, smiling to himself all the same. For the music
she had referred to was Dvorak.
CHAPTER XI
A LITTLE ABOUT JENNY
Meanwhile, as New Zion moved and hummed and whizzed, and as "The Dawn"
went on dawning week by week,--you couldn't expect the dawn oftener than
once a week in Coalchester,--the love of Jenny and Theophil grew more
and more perfect.
Public-domain text, read in full here on John Shaqi.
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