The Romance of Zion Chapel [3d ed.]Le Gallienne, Richard
General
The Romance of Zion Chapel [3d ed.]
Le Gallienne, Richard
Clergy -- England -- Fiction; English fiction -- 19th century; Triangles (Interpersonal relations) -- Fiction
Theophil pressed her hand tenderly, as she impulsively sought his for
sympathy, and his eyes left Isabel's face a moment to smile a true "yes"
into Jenny's.
Of course no one had eyes for anyone but Isabel that night. Was she not,
as the announcements had said, "of London," an ambassadress of beauty
from the capital of the great queen? There was really little she could
tell these clever young people, who amazed and attracted her by their
reality,--the unrealities of "intensity" and "modernity" and the rest
had, of course, already begun in London,--but she represented to them
the sparkle of the new beauty and truth they loved. She knew little
intimate anecdotes of the poets and painters they loved, piquant gossip
and brilliant _mots_; and then she was one of those women who are like
incense in a room, enriching by her very presence, exhaling mystery and
distinction, like a pomander of strange spices.
You might love her for a long time or a little, but love her you were
obliged to while you were with her, whoever else you loved too. There
was no other word for it. Even little James Whalley had conscience-pangs
as he looked at Isabel, for he had been engaged for five years; but the
poet's heart, that is, all the combustible portion of it, was already
burnt to a cinder. Poets' hearts, however, are used to burning. The
inflammable air of sighs about them is ever in a perpetual state of
ignition; so it has come, no doubt, from long custom, that nature has
made them at their centre as fireproof as the phoenix. Otherwise,
indeed, the poetic life would be impossible to live; poets could not go
on maintaining the deadly fire of love, to which it is one of the
conditions of their precarious art that they must daily expose
themselves. Sometimes, indeed, as we know, even these firemen of the
emotions dare the burning house once too often, and we hear their
death-song amid the flames.
Theophil?
Well, we can talk of Theophil again. Meanwhile Jenny was as much in love
with her herself, and he held Jenny's hand and loved her, O yes, so
dearly--and was quite safe. Fear not, little Jenny; it was only death,
you remember, that was to separate Jenny and Theophil.
Mrs. Talbot--if she won't bore you--had made an interesting remark. She
had not escaped Isabel's charm, but there was "something," something a
little alarming about her,--a little like that wicked wall-paper.
Jenny divulged this criticism over supper when her mother was out of
ear-shot.
"How very clever of her!" exclaimed Isabel.
"She said the same of Dvorak's music," said Jenny.
Public-domain text, read in full here on John Shaqi.
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