Man-woman relationships -- Fiction; World War, 1914-1918 -- Fiction
"It's not the peace of it I want, Charlotte,--Jeanne, I mean. It's
the fight. Fighting with things that would kill you if you didn't.
Wounding the earth to sow in it and make it feed you. Ploughing,
Charlotte--Jeanne. Feeling the thrust and the drive through, and the
thing listing over on the slope. Seeing the steel blade shine, and the
long wounds coming in rows, hundreds of wounds, wet and shining."
"What makes you think of wounds?"
"I don't know. I see it like that. Cutting through."
"I don't see it like that one bit. The earth's so kind, so beautiful. And
the hills--look at them, the clean, quiet backs, smoothed with light. You
could stroke them. And the fields, those lovely coloured fans opening and
shutting."
"They're lovely because of what's been done to them. If those hills had
been left to themselves there'd have been nothing on them but trees.
Think of the big fight with the trees, the hacking through, the cutting.
The trunks staggering and falling. You'd begin with a little hole in the
forest like that gap in the belt on the sky-line, and you'd go on hacking
and cutting. You'd go on.... If you didn't those damned trees would come
up round you and jam you between their trunks and crush you to red
pulp.... Supposing this belt of beeches drew in and got tighter and
tighter--No. There's nothing really kind and beautiful on this earth.
Except your face. And even your face--"
"My face?--"
"_Could_ be cruel. But it never will be. Something's happened to it. Some
cruelty. Some damnable cruelty."
"What makes you think so?"
"Every kind and beautiful thing on earth, Jeanne, has been made so by
some cruelty."
"That's all rot. Utter rot. You don't know what you're talking
about.... It's milking time. There's Gwinnie semaphoring. Do you know old
Burton's going to keep us on? He'll pay us wages from this quarter. He
says we were worth our keep from the third day."
"Do you want to stay on here?"
"Rather."
"Very well then, so do I. That settles it."
"Get up," she said, "and come along. Gwinnie's frantic."
He sat up, bowed forwards, his hands hanging loose over his knees.
She stood and looked down at him, at the arch of his long, slender
back dropping to the narrow hips. She could feel the sudden crush of
her breath in her chest and the sighing throb in her throat and her
lips parting.
He grasped the hands she stretched out to him at arms' length. She set
her teeth and pressed her feet to the ground, and leaned back, her weight
against his weight, tugging.
He came up to his feet, alert, laughing at the heavy strength of her
pull. As they ran down the field he still held, loosely, like a thing
forgotten, her right hand.
* * * * *
Through the long June night on her bed in the room under the gable--the
hot room that smelt of plaster and of the apples stored in the loft
behind it--she lay thinking.
Public-domain text, read in full here on John Shaqi.
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