The Romantic Adventures of a MilkmaidHardy, Thomas
General
The Romantic Adventures of a Milkmaid
Hardy, Thomas
Women agricultural laborers -- Fiction
‘We are almost there,’ he answered. ‘And now, Margery,’ he said in a
lower tone, ‘I must tell you a secret. I have obtained this invitation
in a peculiar way. I thought it best for your sake not to come in my own
name, and this is how I have managed. A man in this county, for whom I
have lately done a service, one whom I can trust, and who is personally
as unknown here as you and I, has (privately) transferred his card of
invitation to me. So that we go under his name. I explain this that you
may not say anything imprudent by accident. Keep your ears open and be
cautious.’ Having said this the Baron retreated again to his place.
‘Then he is a wicked man after all!’ she said to herself; ‘for he is
going under a false name.’ But she soon had the temerity not to mind it:
wickedness of that sort was the one ingredient required just now to
finish him off as a hero in her eyes.
They descended a hill, passed a lodge, then up an avenue; and presently
there beamed upon them the light from other carriages, drawn up in a
file, which moved on by degrees; and at last they halted before a large
arched doorway, round which a group of people stood.
‘We are among the latest arrivals, on account of the distance,’ said the
Baron, reappearing. ‘But never mind; there are three hours at least for
your enjoyment.’
The steps were promptly flung down, and they alighted. The steam from
the flanks of their swarthy steeds, as they seemed to her, ascended to
the parapet of the porch, and from their nostrils the hot breath jetted
forth like smoke out of volcanoes, attracting the attention of all.
CHAPTER V.
The bewildered Margery was led by the Baron up the steps to the interior
of the house, whence the sounds of music and dancing were already
proceeding. The tones were strange. At every fourth beat a deep and
mighty note throbbed through the air, reaching Margery’s soul with all
the force of a blow.
‘What is that powerful tune, sir—I have never heard anything like it?’
she said.
‘The Drum Polka,’ answered the Baron. ‘The strange dance I spoke of and
that we practised—introduced from my country and other parts of the
continent.’
Her surprise was not lessened when, at the entrance to the ballroom, she
heard the names of her conductor and herself announced as ‘Mr. and Miss
Brown.’
However, nobody seemed to take any notice of the announcement, the room
beyond being in a perfect turmoil of gaiety, and Margery’s consternation
at sailing under false colours subsided. At the same moment she observed
awaiting them a handsome, dark-haired, rather _petite_ lady in
cream-coloured satin. ‘Who is she?’ asked Margery of the Baron.
‘She is the lady of the mansion,’ he whispered. ‘She is the wife of a
peer of the realm, the daughter of a marquis, has five Christian names;
and hardly ever speaks to commoners, except for political purposes.’
Public-domain text, read in full here on John Shaqi.
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