The Romantic Adventures of a MilkmaidHardy, Thomas
General
The Romantic Adventures of a Milkmaid
Hardy, Thomas
Women agricultural laborers -- Fiction
‘Well, I am much obliged to you for caring how I am,’ said he with a
faint smile and an affected lightness of manner which, even to her, only
rendered more apparent the gloom beneath. ‘I have not slept this past
night. I suffer from sleeplessness. Probably you do not.’
Margery laughed a little, and he glanced with interest at the comely
picture she presented; her fresh face, brown hair, candid eyes,
unpractised manner, country dress, pink hands, empty wicker-basket, and
the handkerchief over her bonnet.
‘Well,’ he said, after his scrutiny, ‘I need hardly have asked such a
question of one who is Nature’s own image . . . Ah, but my good little
friend,’ he added, recurring to his bitter tone and sitting wearily down,
‘you don’t know what great clouds can hang over some people’s lives, and
what cowards some men are in face of them. To escape themselves they
travel, take picturesque houses, and engage in country sports. But here
it is so dreary, and the fog was horrible this morning!’
‘Why, this is only the pride of the morning!’ said Margery. ‘By-and-by
it will be a beautiful day.’
She was going on her way forthwith; but he detained her—detained her with
words, talking on every innocent little subject he could think of. He
had an object in keeping her there more serious than his words would
imply. It was as if he feared to be left alone.
While they still stood, the misty figure of the postman, whom Margery had
left a quarter of an hour earlier to follow his sinuous course, crossed
the grounds below them on his way to the house. Signifying to Margery by
a wave of his hand that she was to step back out of sight, in the hinder
angle of the shelter, the gentleman beckoned to the postman to bring the
bag to where he stood. The man did so, and again resumed his journey.
The stranger unlocked the bag and threw it on the seat, having taken one
letter from within. This he read attentively, and his countenance
changed.
The change was almost phantasmagorial, as if the sun had burst through
the fog upon that face: it became clear, bright, almost radiant. Yet it
was but a change that may take place in the commonest human being,
provided his countenance be not too wooden, or his artifice have not
grown to second nature. He turned to Margery, who was again edging off,
and, seizing her hand, appeared as though he were about to embrace her.
Checking his impulse, he said, ‘My guardian child—my good friend—you have
saved me!’
‘What from?’ she ventured to ask.
‘That you may never know.’
She thought of the weapon, and guessed that the letter he had just
received had effected this change in his mood, but made no observation
till he went on to say, ‘What did you tell me was your name, dear girl?’
She repeated her name.
‘Margaret Tucker.’ He stooped, and pressed her hand. ‘Sit down for a
moment—one moment,’ he said, pointing to the end of the seat, and taking
the extremest further end for himself, not to discompose her. She sat
down.
Public-domain text, read in full here on John Shaqi.
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