The Romantic Adventures of a MilkmaidHardy, Thomas
General
The Romantic Adventures of a Milkmaid
Hardy, Thomas
Women agricultural laborers -- Fiction
‘Quite sure, sir,’ she decisively answered. At first nobody would have
noticed in that pretty young face any sign of decision; yet it was
discoverable. The mouth, though soft, was firm in line; the eyebrows
were distinct, and extended near to each other. ‘I have thought of it
all day,’ she continued, sadly. ‘Still, sir, if you are sorry you
offered me anything, I can let you off.’
‘Sorry?—Certainly not, Margery,’ be said, rather nettled. ‘I’ll show you
that whatever hopes I have raised in your breast I am honourable enough
to gratify. If it lies in my power,’ he added with sudden firmness, ‘you
_shall_ go to the Yeomanry Ball. In what building is it to be held?’
‘In the Assembly Rooms.’
‘And would you be likely to be recognized there? Do you know many
people?’
‘Not many, sir. None, I may say. I know nobody who goes to balls.’
‘Ah, well; you must go, since you wish it; and if there is no other way
of getting over the difficulty of having nobody to take you, I’ll take
you myself. Would you like me to do so? I can dance.’
‘O, yes, sir; I know that, and I thought you might offer to do it. But
would you bring me back again?’
‘Of course I’ll bring you back. But, by-the-bye, can _you_ dance?’
‘Yes.’
‘What?’
‘Reels, and jigs, and country-dances like the New-Rigged-Ship, and
Follow-my-Lover, and Haste-to-the-Wedding, and the College Hornpipe, and
the Favourite Quickstep, and Captain White’s dance.’
‘A very good list—a very good! but unluckily I fear they don’t dance any
of those now. But if you have the instinct we may soon cure your
ignorance. Let me see you dance a moment.’
She stood out into the garden-path, the stile being still between them,
and seizing a side of her skirt with each hand, performed the movements
which are even yet far from uncommon in the dances of the villagers of
merry England. But her motions, though graceful, were not precisely
those which appear in the figures of a modern ball-room.
‘Well, my good friend, it is a very pretty sight,’ he said, warming up to
the proceedings. ‘But you dance too well—you dance all over your
person—and that’s too thorough a way for the present day. I should say
it was exactly how they danced in the time of your poet Chaucer; but as
people don’t dance like it now, we must consider. First I must inquire
more about this ball, and then I must see you again.’
‘If it is a great trouble to you, sir, I—’
‘O no, no. I will think it over. So far so good.’
The Baron mentioned an evening and an hour when he would be passing that
way again; then mounted his horse and rode away.
On the next occasion, which was just when the sun was changing places
with the moon as an illuminator of Silverthorn Dairy, she found him at
the spot before her, and unencumbered by a horse. The melancholy that
had so weighed him down at their first interview, and had been
perceptible at their second, had quite disappeared. He pressed her right
hand between both his own across the stile.
Public-domain text, read in full here on John Shaqi.
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