"Over supper I began at last to lose my shyness, for I had been very
nervous, you know. As one only too rarely is.... She had the quality of
making one talk, of making one feel that one was on the top of one's
form. Oh, that insinuating art of unuttered flattery which makes one
weak and sincere and terribly reckless.
"'You are very terrible, you make me almost articulate,' I simply had
to say, as we rose from the table. 'You see the only really nice things
about me are my admirations, and I admire you so unreservedly....'
"Perhaps it was just at that moment that I first kissed her. Yes, it
must have been then, for she had a way of accepting those shameless
remarks with such an air of pretty surprise that I couldn't have
resisted the impulse--and anyway, I didn't want to, the thing could go
its own divine way without any more officious restraint on my part.
"I found then that she had that rarest of generous gifts, the power of
graceful admission.... You, old man, who have loved beautiful things,
must know how rare that is, how often one is jarred by that meanest
sort of pride which denies, refuses to admit, the influence of another.
Oh, the insaneness of generous people, the indecencies of decent
people! Am I phrasing a sensation too absurdly if I say that I was
_comfortable_ with this woman whom I had known for less than two hours?
And when I had kissed her, and kissed her again, for hers was not the
riddle to be solved by one touch of the lips, the thing did not take on
the air of a _liaison_, it was not a surprising and stolen pleasure, it
was just natural.
"Slowly she unpinned her orchid and threw it among the elegant debris
of the table.
"'You crush orchids,' she said. She didn't smile. She looked up at me
very thoughtfully.
"'But you must know that this is all wrong,' she said. 'It should not
have been like this at all. When I decided this morning that you
must come to supper with me it was on the distinct understanding that
you should not touch more than the tips of my fingers--and they were
manicured so well this afternoon, too! Look.... Oh, no no! It is too
late, now that you have crushed my orchid it is too late to be so
deferential. And anyway, I did not intend that you should kiss even
my hand until you were going away--and I imagined you going away very
disappointed and full of quite pleasant regrets that I was a cold
woman in spite, oh, in spite of everything! Come, Noël Anson, defend
yourself. Give me reasons why you should not be disappointed. I am very
serious.' And I realised that she was indeed serious.
"'But why d'you say that?' I asked quickly. 'Must the thing be exactly
as you planned, can't anything be altered--oh, I know that sounds
fatuous, but when you look like that one feels helpless! I was right.
You are very terrible.'
Public-domain text, read in full here on John Shaqi.
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