The Romaunce of the Sowdone of Babylone and of Ferumbras His Sone Who Conquerede Rome
General
The Romaunce of the Sowdone of Babylone and of Ferumbras His Sone Who Conquerede Rome
Charlemagne, Emperor, 742-814 -- Romances; English poetry -- Middle English, 1100-1500; Romances, English
In other cases there is no certainty whether the final «e» is quite
silent or must be slightly pronounced or slurred over, so as to form
trisyllabic measures. It must be noted, however, that in supposing
trisyllable measures in all these doubtful cases, the number of this
kind of measure will increase to a great amount in the «Sowdan».
Therefore I rather incline to think the final «e» silent also in the
following instances:—2090 «défendẹ this place», 1201 «brékẹ both báke»,
861 «cómẹ from ál», 2119 «askẹ consaile», 1597 «wólẹ these traítours»,
1783 «whéns comẹ yé», 2317 «pássẹ that brígge», 1100 «rónnẹ bytwéne»,
2997 «fóught so lónge», 175 «brokẹ nothinge», 1658 «béddẹ with ríght»,
713 «grénẹ wodẹ síde», 571 «hómẹ to Rómẹ that nýght», 1610 «the fáls
jailoúr feddẹ yoúr prisonére», 2152 «fáls traitóurs of Fránce», 921
«chárged the yónge with ál», 380 «aboútẹ midnýghte», 726 «sóne to hím»,
160 «únneth not óne» [Chaucer still pronounces «unnethë»].
Nevertheless there seems to be some instances where the final «e» is
to be sounded, as in ll. 298, 2790, 1332, 1619, 2740, 592, 2166, 2463,
1405, 2386, 895, 332, 91.
Final «en» also seems sometimes not to constitute a separate
syllable:—1365 «waítẹṇ uppon mé», 459 «brékẹṇ our wállis», 45 «slépẹṇ
with ópyne ýȝe», 485 «cómẹṇ by the cóst», 2313 «dídẹṇ it aboút», &c.
In all these cases «n» had very probably already fallen off in the
speech of the poet, as the following examples lead us to suppose:—178
«wynne»: «him», 1582 «dye»: «biwry», 2309 «shewe» : «trewe», 2107
«slépe to lónge», 861 «cóme from ál», &c.
As regards the final «es» of nouns, the poet seems to have observed
the same rules as those followed by Chaucer; viz. «es» is sounded when
[p-xl] joined to monosyllabic stems; it does not increase the number
of syllables (and therefore is often spelt-«s» instead of-«es»), when
the stem has two or more syllables:—197, 277 «goddës», 665 «nailës»,
445 «tentës», 2068 «tentïs», 174, 1799 «hedës», 2032, 2868 «swerdës»,
2327 «wallës», 1209 «stedës», 1770 «shippës», 2702 «somers», 2687, 2591
«felowes», 2660 «felows», 2412 «maydyns», 647, 1597 «traytours», 2036
«orders», 45 «lovers», 2612, 3098 «develes», 1072 «faderis», 203, 862
«sowdons», 881 «sarsyns».
The final «es» of adverbs seems no longer to constitute a separate
syllable:—2213 «hónged’ els bý», 2786 «éls had’ hé», 2109 «éllis I may
sínge», 1525 «élles wol’ hé», 2061 «théns», 1783 «whens».
METRE AND VERSIFICATION.
The poem is composed in four-line stanzas. The arrangement of the rhyme
is such that the 1st and 3rd lines rhyme together, and the 2nd and
4th together, which gives the following rhyme-formula: «a b a b». The
rhyme-endings employed in one stanza do not occur again in the next
following.
Public-domain text, read in full here on John Shaqi.
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