The Roof of France; Or, the Causses of the LozèreBetham-Edwards, Matilda
General
The Roof of France; Or, the Causses of the Lozère
Betham-Edwards, Matilda
Lozère (France : Dept.) -- Description and travel
Then he went on to relate to me the history of his wife's long illness,
dilating on his own unhappiness in being so afflicted. It never seemed
to occur to him that it might be worse to be ill one's self, even than
to inflict one's illnesses on others. He had tried every imaginable
remedy, and now, as a last expedient, was about to take her to her
paternal home in the South, to see what native air might do. Poor lady!
ill and depressed she looked indeed.
As we get nearer Vienne the aspect of the country changes. There is an
Italian look about the vines trellised on trees, and festooned under
the tiled roofs of the little riverside châlets.
The approach to the ancient city itself is very striking. A light
suspension-bridge spans the river-banks just where Vienne faces the
village of St. Colombe, ancient as itself. On the right we see the
massive old town built by Philippe de Valois; to the left, behind the
houses, crowded together pell-mell, rises the massive pile of Vienne
Cathedral. Here another tributary, the Gère, flows into the Rhône.
Vienne was reputed a fosterer of poetry in classic times. At 'beautiful
Vienne,' Martial boasted that his works were read with avidity. The
scenery now shows more variety and picturesqueness. In one spot the
river winds so abruptly that we seem all on a sudden to be landlocked,
the hills almost meeting where the swift, impetuous stream has forced a
way. The cleft hills as they slope down to the shore show little dells
and combes deliciously fresh and verdurous. Everywhere we see the vine,
and with every bend we seem nearer the South. Between Vienne and
Roussillon the aspect is no longer French, but Italian--the distant
undulations dark purple, flecked with golden shadow, the nearer
terraced with the yellowing vine.
Our next halting-place is Condrien, on the right bank, celebrated for
its white wines, a pretty, Italian-looking little town, with vineyards
and gardens close to the riverside, the bright foliage of the acacia
and vine contrasting with the soft yellows and grays of the
building-stone. Above the straggling town on the sunny hill are
deep-roofed châlets, and close to us--we could almost gather
them--patches of glorious sunflowers in the riverside gardens. The
mists had now cleared off, and we were promised a superb day.
The traveller's mind is all at once struck by the extreme solitude of
this noble, vast-bosomed, swift-flowing river. We had been on our way
for hours without seeing a steamer or vessel of any kind, our little
craft having the wide water-way all to itself. Whilst the Saône is the
most navigable river in the world, quite opposite is the character of
its brother Rhône. Not inaptly has the one river--all gentleness,
yieldingness, and suavity--won a feminine, the other--all force,
impetuosity and stern will--obtained for itself a masculine,
appellative! And well has the Lyonnais sculptor given these
characteristics in his charming statues adorning the Hôtel de Ville of
his native city.
Public-domain text, read in full here on John Shaqi.
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