Then Dorothy Harper kindled a lamp and hastened to the attic where she
sat with her head bowed over the old diary while the house, save for
herself, slept and the moon rode down toward the west.
Often her eyes wandered away from the bone-yellow pages of the ancient
document and grew pensive in dreamy meditation. This record was opening,
for her, the door of intimately wrought history upon the past of her
family and her nation when both had been in their bravest youth.
She did not read it all nor even a substantial part of it because
between scraps of difficult perusal came long and alluring intervals of
easy revery. Had she followed its sequence more steadily many things
would have been made manifest to her which she only came to know later,
paying for the knowledge with a usury of experience and suffering.
Yet since that old diary not only set out essential matters in the lives
of her ancestors but also things integral and germane to her own life
and that of the stranger who had to-day laughed in the road, it may be
as well to take note of its contents.
The quaint phrasing of the writer may be discarded and only the
substance which concerned her narrative taken into account, for her
sheaf of yellow pages was a door upon the remote reaches of the past,
yet a past which this girl was not to find a thing ended and buried but
rather a ghost that still walked and held a continuing dominion.
In those far-off days when the Crown still governed us there had stood
in Virginia a manor house built of brick brought overseas from England.
In it Colonel John Parish lived as had his father, and in it he died in
those stirring times of a nation's painful birth. He had been old and
stubborn and his emotions were so mixed between conflicting loyalties
that the pain of his hard choice hastened his end. Tradition tells that,
on his deathbed, his emaciated hand clutched at a letter from Washington
himself, but that just at the final moment his eyes turned toward the
portrait of the King which still hung above his mantel shelf, and that
his lips shaped reverent sentiments as he died.
Later that same day his two sons met in the wainscoted room hallowed by
their father's books and filled with his lingering spirit--a library
noted in a land where books were still few enough to distinguish their
owner.
Between them, even in this hour of common bereavement, stood a coolness,
an embarrassment which must be faced when two men, bound by blood, yet
parted by an unconfessed feud, arrive at the parting of their ways.
Though he had been true to every requirement of honour and punctilio,
John the elder had never entirely recovered from the wound he had
suffered when Dorothy Calmer had chosen his younger brother Caleb
instead of himself. He had indeed never quite been able to forgive it.
Public-domain text, read in full here on John Shaqi.
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