England -- Social life and customs -- Fiction; English fiction -- 20th century; Families -- Fiction; Spouses -- Fiction
“Well,” she laughed, “I’m dirty,” displaying her small square-fingered
hands glittering in the sun with sharp points of sand, for they had
been making castles in the cove; “I’m dirty, but I’m not filthy.”
The glowing September warmth, and Ursula’s initiative, had led her to
abandon her thick knitted sweaters, and to wear instead a short-sleeved
butcher-blue jumper. Her thin brown legs were bare and also sandy,
stretched carelessly from the shelter of her wriggled-up old skirt. Her
skin was golden velvet where the glinting ladders of sunset fell across
it. It was an oddly fascinating Pierrot-face turned up towards Doug,
all bloom and roundness and impudence.
“You’re sticky with sand,” he informed her abruptly.
“’M. I know. It sticks to me. Good thing I’ve got hair like a boy, or
it would be a mass of sand.”
“Why don’t you wear it short, but hanging soft and square round your
cheeks, like girls do?”
“Mine only grows this shape,” despondently.
“Poor little penny bun. Never mind--I like it.” He looked down upon her
tenderly ... and cried out, in a harsh voice quite different from his
own: “You _know_, Chris!”...
At that moment Louis Gregson sauntered round an adjacent haycock.
“Hullo, old man,” cried Doug, who could never help being convivial,
even to an intruder interrupting a scene which was obviously leading up
to what Ursula called the lagoon speech....
Louis nodded to him, sat down beside Chris, and in his cheap, deft,
confidential fashion, caused her at once to feel especially feminine,
each bit of her separately, and all at once. She contrasted his
carefully preserved dark moustache, his slight dapper figure, and eyes
that were narrow and knowing, with her splendid Doug, tanned, athletic
and burly, his boyish speeches blurted out heedless of consequences,
his record as a wanderer and a scapegrace and a man of action. And
because she was exulting in Doug, and her eyes hazed by magic, she did
not understand that the epicure’s treatment of her as a slight but not
untantalizing Deauville episode, was in the least insulting.
Directly he left them: “Why do you let that bounder speak to you?”
demanded Doug sternly.
“_Is_ he a bounder?” in musing innocence. “I didn’t _let_ him
speak to me. He spoke.”
They quarrelled after that. And Doug went off sailing for the evening,
and came home laden with mackerel and stiff with brine. His talk
at late supper was spattered with fishing and ferocious weather
technicalities, and well dashed with dialect. And afterwards, when he
and Ursula went upstairs, he crushed strong arms around her and broke
out:
“I’m fed up with this farming business, Teddy. Let’s run away--just you
and me--and breed dogs on the Yorkshire moors.”
She brooded thoughtfully for a moment ... and a little sigh shook her.
Doug imagined it was a sigh of longing.
“Teddy,” he whispered, “tell me what you’re thinking of. Let’s be all
in all to each other again.”
Public-domain text, read in full here on John Shaqi.
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