England -- Social life and customs -- Fiction; English fiction -- 20th century; Families -- Fiction; Spouses -- Fiction
“So you see now where you--where you--I mean, if I made the sacrifice,
it had to be done completely. I had to make it easy for him to divorce
and marry her. You see--she’s Doug’s happiness.”
“May I ask, quite without prejudice, if she, the thin, brown-eyed
child, is Doug’s _first_ happiness--since he married you?”
Ursula flushed. “About the twenty-first; the heart of Doug has many
splinters.” And though she laughed at the confession, her eyelids, like
Mona Lisa’s, were a little weary....
She returned, with a touch of craftsman’s pride, to relation of her
detailed scheme: “I invited Aunt Lavvy, so that she could be in the
house when it all happened. That was a good idea, wasn’t it?”
“The charming little Dresden lady with the coo in her voice? You hate
her, don’t you, Ursula? Why did you wilfully select as chaperon,
Aunt-Lavvy-whom-you-hate?”
Ursula’s glance at him was now frankly admiring. He had wonderful
perception, this--carpet-walker! “Why? Because somehow I enjoy building
up a--bitterly comic state of affairs. And Aunt Lavvy and I ... and
the room ...” She hesitated.
“Sit down,” said Louis. “We have at least seven hours still to get
through, in what is, for me in particular, another bitterly comic state
of affairs. So, in the truly Russian-novel style, you shall tell me the
whole story of Aunt Lavvy--and you--and the room.”
Ursula did not read Russian novels. But it seemed oddly natural that to
Louis, of all people, she should be able to talk more naturally than
ever before to any one else....
... “And yet people go on living with other people as though it
weren’t the most important thing in the world,” said Ursula, by way of
conclusion, epilogue, envoi and moral to her tale. “Aunt Lavvy, and
our whole family, and Gums, and Stanley Watson, and the servants ...
not selected to live together for any _reason_, but because it’s
happened like that. It must be the same in millions of houses. Somebody
always in a state of bruise through knocking up against somebody else,
till we settle down to bruises, and get numb to them, and call the
result ‘home’ or ‘family life,’ whichever you please. Do you know that
some boarding houses advertise ‘family life’ ... with about thirty
haphazard strangers. And nobody sees it’s funny. You choose your
clothes with care and your career with care, but misfit houses are
chosen anyhow, and rooms and meals are shared anyhow....”
“Sometimes there’s a crisis--and combustion,” suggested Louis. And
Ursula took him up jubilantly.
“Yes, sometimes there’s a crisis. Over the last crisis, I lost the room
and myself. This time----” she was about to say “this time I regain
them both”; but once more she recalled what was undoubtedly a fact,
that she was effacing herself so that Doug and Christine might be
happy. “And”--her voice shook slightly over the amended version of her
behaviour--“this time I’m going to run away, and so give Christine a
present of her romance. It’s only decent, isn’t it? You’d say so?”
Public-domain text, read in full here on John Shaqi.
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