England -- Social life and customs -- Fiction; English fiction -- 20th century; Families -- Fiction; Spouses -- Fiction
She pleaded with him now: “I can’t go back to it, Louis, I can’t. Aunt
Lavvy’s there, at Grey Stone, in the house, in my bed. And Doug.... I
purposely left him easy clues to pick up my elopement, so that he’d
have no trouble in getting rid of me. That’s the ridiculous part of it.
If I went back--tomorrow--I’d have to let him suppose that when it came
to it, I had cared too much for him and too little for you--I should
have to be repentant and ask him to be magnanimous and forgive me. And
he would. After a fierce struggle. All the rest of my life I’d have to
live with Doug and be forgiven. And never be able to laugh out loud.
And never to tell him how funny it was....”
After a pause: “Of course I’m not going back,” Ursula decided in
perfectly normal and decided tones.
As though Louis’ silence had been a powerful attack, she met it
with the fleet retort: “I was able to give up the room years ago,
because then I believed that life would somehow be gleaming and lit
up afterwards, as a sort of reward. Transfigured. But I know now, I
_know_ it’s just the same, only beastlier. Virtue isn’t its own
reward, even spiritually. How can I go back knowing that? You wouldn’t
ask it, Louis?”
“Yes. From you. That would be a delightfully cosy pink-wadding to the
spirit, wouldn’t it, to be sure of abstract heaven after sacrifice?”
“If I went through it, Christine can.”
“There was no one then who had proved Doug, and could warn you.”
“I want the room again--or room again--as much as she does. A thousand
times more.”
“So you’d take it at the expense of hers? Pirate?--you’re worse; you’re
a robber.”
“My creed is to fling off our mistakes and start again. It’s tameness
to abide by them.”
“Your creed doesn’t count while you’re concerned with Christine, and
her--symbolically--white walls.”
“I’m _not_ concerned with them?” in a final passion of revolt.
“It’s not my responsibility.”
“Yes, it is.” And he added grimly: “God shares responsibility with
those who are privileged to see what they’re about.”
Ursula began softly to cry.
And Louis, aware that the tussle was over, mercifully turned his back
on her, and gazed out of the window.... His mouth was puckered to
a grimace, and his sloe-eyes were unspeakably tender. “We must look
grotesquely like an Academy picture called ‘Renunciation,’” was one of
the irrelevant thoughts which drifted through his mind, dismally empty
of any consolation for himself--or her. “One of those silly problem
pictures to make the public wonder which of the two is renouncing and
which isn’t....” Then Ursula’s voice startled him:
“Come and talk it over!” Ursula’s voice, clear and merry. “You, of
all people, are a queer Figure of Light to have been sent to guide me
through my darkness, aren’t you, Louis?”
Public-domain text, read in full here on John Shaqi.
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