The Room in the Dragon VolantLe Fanu, Joseph Sheridan
History
The Room in the Dragon Volant
Le Fanu, Joseph Sheridan
British -- France -- Paris -- Fiction; France -- History -- 19th century -- Fiction; Horror tales
No more brilliant spectacle than this masked ball could be imagined.
Among other _salons_ and galleries, thrown open, was the enormous
Perspective of the "Grande Galerie des Glaces," lighted up on that
occasion with no less than four thousand wax candles, reflected and
repeated by all the mirrors, so that the effect was almost dazzling. The
grand suite of _salons_ was thronged with masques, in every
conceivable costume. There was not a single room deserted. Everyplace
was animated with music voices, brilliant colors, flashing jewels, the
hilarity of extemporized comedy, and all the spirited incidents of a
cleverly sustained masquerade. I had never seen before anything in the
least comparable to this magnificent _fete._ I moved along,
indolently, in my domino and mask, loitering, now and then, to enjoy a
clever dialogue, a farcical song, or an amusing monologue, but, at the
same time, keeping my eyes about me, lest my friend in the black domino,
with the little white cross on his breast, should pass me by.
I had delayed and looked about me, specially, at every door I passed, as
the Marquis and I had agreed; but he had not yet appeared.
While I was thus employed, in the very luxury of lazy amusement, I saw a
gilded sedan chair, or, rather, a Chinese palanquin, exhibiting the
fantastic exuberance of "Celestial" decoration, borne forward on gilded
poles by four richly-dressed Chinese; one with a wand in his hand
marched in front, and another behind; and a slight and solemn man, with
a long black beard, a tall fez, such as a dervish is represented as
wearing, walked close to its side. A strangely-embroidered robe fell
over his shoulders, covered with hieroglyphic symbols; the embroidery
was in black and gold, upon a variegated ground of brilliant colors. The
robe was bound about his waist with a broad belt of gold, with
cabalistic devices traced on it in dark red and black; red stockings,
and shoes embroidered with gold, and pointed and curved upward at the
toes, in Oriental fashion, appeared below the skirt of the robe. The
man's face was dark, fixed, and solemn, and his eyebrows black, and
enormously heavy--he carried a singular-looking book under his arm, a
wand of polished black wood in his other hand, and walked with his chin
sunk on his breast, and his eyes fixed upon the floor. The man in front
waved his wand right and left to clear the way for the advancing
palanquin, the curtains of which were closed; and there was something so
singular, strange and solemn about the whole thing, that I felt at once
interested.
I was very well pleased when I saw the bearers set down their burthen
within a few yards of the spot on which I stood.
The bearers and the men with the gilded wands forthwith clapped their
hands, and in silence danced round the palanquin a curious and
half-frantic dance, which was yet, as to figures and postures, perfectly
methodical. This was soon accompanied by a clapping of hands and a
ha-ha-ing, rhythmically delivered.
Public-domain text, read in full here on John Shaqi.
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