The Room in the Dragon VolantLe Fanu, Joseph Sheridan
History
The Room in the Dragon Volant
Le Fanu, Joseph Sheridan
British -- France -- Paris -- Fiction; France -- History -- 19th century -- Fiction; Horror tales
All this was indescribably flattering, and all the more so that it
followed so quickly on her slight reproof. The tone in which she spoke
had become low and timid, and I observed that she turned her head
quickly towards a second door of the room; I fancied that the gentleman
in the black wig, a jealous husband perhaps, might reappear through it.
Almost at the same moment, a voice at once reedy and nasal was heard
snarling some directions to a servant, and evidently approaching. It was
the voice that had thanked me so profusely, from the carriage windows,
about an hour before.
"Monsieur will have the goodness to retire," said the lady, in a tone
that resembled entreaty, at the same time gently waving her hand toward
the door through which I had entered. Bowing again very low, I stepped
back, and closed the door.
I ran down the stairs, very much elated. I saw the host of the Belle
Étoile which, as I said, was the sign and designation of my inn.
I described the apartment I had just quitted, said I liked it, and asked
whether I could have it.
He was extremely troubled, but that apartment and two adjoining rooms
were engaged.
"By whom?"
"People of distinction."
"But who are they? They must have names or titles."
"Undoubtedly, Monsieur, but such a stream is rolling into Paris, that we
have ceased to inquire the names or titles of our guests--we designate
them simply by the rooms they occupy."
"What stay do they make?"
"Even that, Monsieur, I cannot answer. It does not interest us. Our
rooms, while this continues, can never be, for a moment, disengaged."
"I should have liked those rooms so much! Is one of them a sleeping
apartment?"
"Yes, sir, and Monsieur will observe that people do not usually engage
bedrooms unless they mean to stay the night."
"Well, I can, I suppose, have some rooms, any, I don't care in what part
of the house?"
"Certainly, Monsieur can have two apartments. They are the last at
present disengaged."
I took them instantly.
It was plain these people meant to make a stay here; at least they would
not go till morning. I began to feel that I was all but engaged in an
adventure.
I took possession of my rooms, and looked out of the window, which I
found commanded the inn-yard. Many horses were being liberated from the
traces, hot and weary, and others fresh from the stables being put to. A
great many vehicles--some private carriages, others, like mine, of that
public class which is equivalent to our old English post-chaise, were
standing on the pavement, waiting their turn for relays. Fussy servants
were to-ing and fro-ing, and idle ones lounging or laughing, and the
scene, on the whole, was animated and amusing.
Among these objects, I thought I recognized the traveling carriage, and
one of the servants of the "persons of distinction" about whom I was,
just then, so profoundly interested.
Public-domain text, read in full here on John Shaqi.
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