The room in the tower, and other storiesBenson, E. F. (Edward Frederic)
General
The room in the tower, and other stories
Benson, E. F. (Edward Frederic)
English fiction -- 20th century; Ghost stories, English; Horror tales, English; Short stories, English
I sprang out of bed, upsetting the small table that stood by it, and I
heard my watch, candle, and matches clatter on to the floor. But for the
moment there was no need of light, for a blinding flash leaped out of
the clouds, and showed me that by my bed again hung the picture of Mrs
Stone. And instantly the room went into blackness again. But in that
flash I saw another thing also, namely a figure that leaned over the end
of my bed, watching me. It was dressed in some close-clinging white
garment, spotted and stained with mould, and the face was that of the
portrait.
Overhead the thunder cracked and roared, and when it ceased and the
deathly stillness succeeded, I heard the rustle of movement coming
nearer me, and, more horrible yet, perceived an odour of corruption and
decay. And then a hand was laid on the side of my neck, and close beside
my ear I heard quick-taken, eager breathing. Yet I knew that this thing,
though it could be perceived by touch, by smell, by eye and by ear, was
still not of this earth, but something that had passed out of the body
and had power to make itself manifest. Then a voice, already familiar to
me, spoke.
“I knew you would come to the room in the tower,” it said. “I have been
long waiting for you. At last you have come. To-night I shall feast;
before long we will feast together.”
And the quick breathing came closer to me; I could feel it on my neck.
At that the terror, which I think had paralyzed me for the moment, gave
way to the wild instinct of self-preservation. I hit wildly with both
arms, kicking out at the same moment, and heard a little animal-squeal,
and something soft dropped with a thud beside me. I took a couple of
steps forward, nearly tripping up over whatever it was that lay there,
and by the merest good-luck found the handle of the door. In another
second I ran out on the landing, and had banged the door behind me.
Almost at the same moment I heard a door open somewhere below, and John
Clinton, candle in hand, came running upstairs.
“What is it?” he said. “I sleep just below you, and heard a noise as
if--Good heavens, there’s blood on your shoulder.”
I stood there, so he told me afterwards, swaying from side to side,
white as a sheet, with the mark on my shoulder as if a hand covered with
blood had been laid there.
“It’s in there,” I said, pointing. “She, you know. The portrait is in
there, too, hanging up on the place we took it from.”
At that he laughed.
“My dear fellow, this is mere nightmare,” he said.
He pushed by me, and opened the door, I standing there simply inert with
terror, unable to stop him, unable to move.
“Phew! What an awful smell,” he said.
Then there was silence; he had passed out of my sight behind the open
door. Next moment he came out again, as white as myself, and instantly
shut it.
“Yes, the portrait’s there,” he said, “and on the floor is a thing--a
thing spotted with earth, like what they bury people in. Come away,
quick, come away.”
Public-domain text, read in full here on John Shaqi.
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