The room in the tower, and other storiesBenson, E. F. (Edward Frederic)
General
The room in the tower, and other stories
Benson, E. F. (Edward Frederic)
English fiction -- 20th century; Ghost stories, English; Horror tales, English; Short stories, English
The motor came round about eleven, and we started at once, Harry and Mrs
Morrison, a cousin of his, sitting behind in the big back seat, large
enough to hold a comfortable three, and I on the left of the driver, in
a sort of trance--I am not ashamed to confess it--of expectancy and
delight. For this was in the early days of motors, when there was still
the sense of romance and adventure round them. I did not want to drive,
any more than Harry wanted to; for driving, so I hold, is too absorbing;
it takes the attention in too firm a grip: the mania of the true
motorist is not consciously enjoyed. For the passion for motors is a
taste--I had almost said a gift--as distinct and as keenly individual as
the passion for music or mathematics. Those who use motors most (merely
as a means of getting rapidly from one place to another) are often
entirely without it, while those whom adverse circumstances (over which
they have no control) compel to use them least may have it to a supreme
degree. To those who have it, analysis of their passion is perhaps
superfluous; to those who have it not, explanation is almost
unintelligible. Pace, however, and the control of pace, and above all
the sensuous consciousness of pace, is at the root of it; and pleasure
in pace is common to most people, whether it be in the form of a
galloping horse, or the pace of the skate hissing over smooth ice, or
the pace of a free-wheel bicycle humming down-hill, or, more
impersonally, the pace of the smashed ball at lawn-tennis, the driven
ball at golf, or the low boundary hit at cricket. But the sensuous
consciousness of pace, as I have said, is needful: one might experience
it seated in front of the engine of an express train, though not in a
wadded, shut-windowed carriage, where the wind of movement is not felt.
Then add to this rapture of the rush through riven air the knowledge
that huge relentless force is controlled by a little lever, and
directed by a little wheel on which the hands of the driver seem to lie
so negligently. A great untamed devil has there his bridle, and he
answers to it, as Harry had said, like a horse with a fine mouth. He has
hunger and thirst, too, unslakeable, and greedily he laps of his soup of
petrol which turns to fire in his mouth: electricity, the force that
rends clouds asunder, and causes towers to totter, is the spoon with
which he feeds himself; and as he eats he races onward, and the road
opens like torn linen in front of him. Yet how obedient, how amenable is
he!--for with a touch on his snaffle his speed is redoubled, or melts
into thin air, so that before you know you have touched the rein he has
exchanged his swallow-flight for a mere saunter through the lanes. But
he ever loves to run; and knowing this, you will bid him lift up his
voice and tell those who are in his path that he is coming, so that he
will not need the touch that checks. Hoarse and jovial is his voice,
hooting to the wayfarer; and if his hooting be not heard he has a great
Public-domain text, read in full here on John Shaqi.
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