I looked round it with a certain sense of proprietorship, and found that nothing had been changed from the dreaming nights in which I knew it so well. Just to the left of the door was the bed, lengthways along the wall, with the head of it in the angle. In a line with it was the fireplace and a small bookcase; opposite the door the outer wall was pierced by two lattice-paned windows, between which stood the dressing-table, while ranged along the fourth wall was the washing-stand and a big cupboard. My luggage had already been unpacked, for the furniture of dressing and undressing lay orderly on the wash-stand and toilet-table, while my dinner clothes were spread out on the coverlet of the bed. And then, with a sudden start of unexplained dismay, I saw that there were two rather conspicuous objects which I had not seen before in my dreams: one a life-sized oil-painting of Mrs Stone, the other a black-and-white sketch of Jack Stone, representing him as he had appeared to me only a week before in the last of the series of these repeated dreams, a rather secret and evil-looking man of about thirty. His picture hung between the windows, looking straight across the room to the other portrait, which hung at the side of the bed. At that I looked next, and as I looked I felt once more the horror of nightmare seize me. It represented Mrs Stone as I had seen her last in my dreams: old and withered and white haired. But in spite of the evident feebleness of body, a dreadful exuberance and vitality shone through the envelope of flesh, an exuberance wholly malign, a vitality that foamed and frothed with unimaginable evil. Evil beamed from the narrow, leering eyes; it laughed in the demon-like mouth. The whole face was instinct with some secret and appalling mirth; the hands, clasped together on the knee, seemed shaking with suppressed and nameless glee. Then I saw also that it was signed in the left-hand bottom corner, and wondering who the artist could be, I looked more closely, and read the inscription, “Julia Stone by Julia Stone.” There came a tap at the door, and John Clinton entered. “Got everything you want?” he asked. “Rather more than I want,” said I, pointing to the picture. He laughed. “Hard-featured old lady,” he said. “By herself, too, I remember. Anyhow she can’t have flattered herself much.” “But don’t you see?” said I. “It’s scarcely a human face at all. It’s the face of some witch, of some devil.” He looked at it more closely. “Yes; it isn’t very pleasant,” he said. “Scarcely a bedside manner, eh? Yes; I can imagine getting the nightmare if I went to sleep with that close by my bed. I’ll have it taken down if you like.” “I really wish you would,” I said. He rang the bell, and with the help of a servant we detached the picture and carried it out on to the landing, and put it with its face to the wall. “By Jove, the old lady is a weight,” said John, mopping his forehead. “I wonder if she had something on her mind.”