The room in the tower, and other storiesBenson, E. F. (Edward Frederic)
General
The room in the tower, and other stories
Benson, E. F. (Edward Frederic)
English fiction -- 20th century; Ghost stories, English; Horror tales, English; Short stories, English
Certainly it would have been hard to find a point in which Dick did not
present the appearance of perfect health. He had paused, and stood still
a moment, his glass in one hand, the whisky-bottle in the other, black
against the front of his shirt, and not a tremor of unsteadiness was
there. His face of wholesome sun-burnt hue was neither puffy nor
emaciated, but firm of flesh and of a wonderful clearness of skin. Clear
too was his eye, with eyelids neither baggy nor puckered; he looked
indeed a model of condition, hard and fit, as if he was in training for
some athletic event. Lithe and active too was his figure, his movements
were quick and precise, and even Merwick, with his doctor’s eye, trained
to detect any symptom, however slight, in which the drinker must betray
himself, was bound to confess that no such was here present. His
appearance contradicted it authoritatively, so also did his manner; he
met the eye of the man he was talking to without sideway glances; he
showed no signs however small, of any disorder of the nerves. Yet Dick
was altogether an abnormal fellow; the history he had just been
recounting was abnormal, those weeks of depression, followed by the
sudden snap in his brain which had apparently removed, as a wet cloth
removes a stain, all the memory of his love, and of the cruel bitterness
that resulted from it. Abnormal too was his sudden leap into high
artistic achievement from a past of very mediocre performance. Why
should there then not be a similar abnormality here?
“Yes, I confess you show no sign of taking excessive stimulant,” said
Merwick, “but if I attended you professionally--ah, I’m not touting--I
should make you give up all stimulant, and go to bed for a month.”
“Why in the name of goodness?” asked Dick.
“Because, theoretically, it must be the best thing you could do. You had
a shock, how severe, the misery of those weeks of depression tells you.
Well, common-sense says, ‘Go slow after a shock; recoup.’ Instead of
which you go very fast indeed and produce. I grant it seems to suit you;
you also became suddenly capable of feats which--oh, it’s sheer
nonsense, man.”
“What’s sheer nonsense?”
“You are. Professionally, I detest you, because you appear to be an
exception to a theory that I am sure must be right. Therefore I have got
to explain you away, and at present I can’t.”
“What’s the theory?” asked Dick.
“Well, the treatment of shock first of all. And secondly, that in order
to do good work, one ought to eat and drink very little and sleep a lot.
How long do you sleep by the way?”
Dick considered.
“Oh, I go to bed about three usually,” he said; “I suppose I sleep for
about four hours.”
“And live on whisky, and eat like a Strasburg goose, and are prepared to
run a race to-morrow. Go away, or at least I will. Perhaps you’ll break
down, though. That would satisfy me. But even if you don’t, it still
remains quite interesting.”
Public-domain text, read in full here on John Shaqi.
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