The room in the tower, and other storiesBenson, E. F. (Edward Frederic)
General
The room in the tower, and other stories
Benson, E. F. (Edward Frederic)
English fiction -- 20th century; Ghost stories, English; Horror tales, English; Short stories, English
Merwick found it more than quite interesting in fact, and when he got
home that night he searched in his shelves for a certain dusky volume in
which he turned up a chapter called “Shock.” The book was a treatise on
obscure diseases and abnormal conditions of the nervous system. He had
often read it before, for in his profession he was a special student of
the rare and curious. And the following paragraph which had interested
him much before, interested him more than ever this evening.
“The nervous system also can act in a way that must always even to the
most advanced student be totally unexpected. Cases are known, and
well-authenticated ones, when a paralytic person has jumped out of bed
on the cry of ‘Fire.’ Cases too are known when a great shock, which
produces depression so profound as to amount to lethargy, is followed by
abnormal activity, and the calling into use of powers which were
previously unknown to exist, or at any rate existed in a quite ordinary
degree. Such a hyper-sensitised state, especially since the desire for
sleep or rest is very often much diminished, demands much stimulant in
the way of food and alcohol. It would appear also that the patient
suffering from this rare form of the after-consequences of shock has
sooner or later some sudden and complete break-down. It is impossible,
however, to conjecture what form this will take. The digestion, however,
may become suddenly atrophied, delirium tremens may, without warning,
supervene, or he may go completely off his head....”
* * * * *
But the weeks passed on, the July suns made London reel in a haze of
heat, and yet Alingham remained busy, brilliant and altogether
exceptional. Merwick, unknown to him, was watching him closely, and at
present was completely puzzled. He held Dick to his word that if he
could detect the slightest sign of over-indulgence in stimulant, he
would cut it off altogether, but he could see absolutely none. Lady
Madingley meantime had given him several sittings, and in this
connection again Merwick was utterly mistaken in the view he had
expressed to Dick as to the risks he ran. For, strangely enough, the two
had become great friends. Yet Dick was quite right, all emotion with
regard to her on his part was dead, it might have been a piece of
still-life that he was painting, instead of a woman he had wildly
worshipped.
One morning in mid-July she had been sitting to him in his studio, and
contrary to custom he had been rather silent, biting the ends of his
brushes, frowning at his canvas, frowning too at her. Suddenly he gave a
little impatient exclamation.
“It’s so like you,” he said, “but it just isn’t you. There’s a lot of
difference! I can’t help making you look as if you were listening to a
hymn, one of those in four sharps, don’t you know, written by an
organist, probably after eating muffins. And that’s not characteristic
of you!”
She laughed.
“You must be rather ingenious to put all that in,” she said.
Public-domain text, read in full here on John Shaqi.
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