The room in the tower, and other storiesBenson, E. F. (Edward Frederic)
General
The room in the tower, and other stories
Benson, E. F. (Edward Frederic)
English fiction -- 20th century; Ghost stories, English; Horror tales, English; Short stories, English
He was sitting there, hardly looking, but unconsciously drinking in this
great festival of colour, when his eye was arrested by a dark slinking
form that appeared among the roses, and suddenly turned two shining
luminous orbs on him. At this he started up, but his movement caused no
perturbation in the animal, which continued with back arched for
stroking, and poker-like tail, to advance towards him, purring. As it
came closer Dick felt that shuddering faintness, which often affected
him in the presence of cats, come over him, and he stamped and clapped
his hands. At this it turned tail quickly: a sort of dark shadow
streaked the garden-wall for a moment, and it vanished. But its
appearance had spoiled for him the sweet spell of the evening, and he
went indoors.
The next morning was pellucid summer: a faint north wind blew, and a sun
worthy to illumine the isles of Greece flooded the sky. Dick’s dreamless
and (for him) long sleep had banished from his mind that rather
disquieting incident of the cat, and he set up his canvas facing the
trellis-work and purple clematis with a huge sense of imminent ecstasy.
Also the garden, which at present he had only seen in the magic of
sunset, was gloriously rewarding, and glowed with colour, and though
life--this was present to his mind for the first time for months--in
the shape of Lady Madingley had not been very propitious, yet a man, he
argued to himself, must be a very poor hand at living if, with a passion
for plants and a passion for art, he cannot fashion a life that shall be
full of content. So breakfast being finished, and his model ready and
glowing with beauty, he quickly sketched in the broad lines of flowers
and foliage and began to paint.
Purple and green, green and purple: was there ever such a feast for the
eye? Gourmet like and greedy as well, he was utterly absorbed in it. He
was right too: as soon as he put on the first brush of colour he knew he
was right. It was just those divine and violent colours which would
cause his figure to step out from the picture, it was just that pale
strip of sky above which would focus her again, it was just that strip
of grey-green grass below her feet that would prevent her, so it seemed,
from actually leaving the canvas. And with swift eager sweeps of the
brush which never paused and never hurried, he lost himself in his work.
He stopped at length with a sense of breathlessness, feeling too as if
he had been suddenly called back from some immense distance off. He must
have been working some three hours, for his man was already laying the
table for lunch, yet it seemed to him that the morning had gone by in
one flash. The progress he had made was extraordinary, and he looked
long at his picture. Then his eye wandered from the brightness of the
canvas to the brightness of the garden-beds. There, just in front of the
bed of sweet-peas, not two yards from him, stood a very large grey cat,
watching him.
Public-domain text, read in full here on John Shaqi.
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