The room in the tower, and other storiesBenson, E. F. (Edward Frederic)
General
The room in the tower, and other stories
Benson, E. F. (Edward Frederic)
English fiction -- 20th century; Ghost stories, English; Horror tales, English; Short stories, English
Now the presence of a cat was a thing that usually produced in Dick a
feeling of deadly faintness, yet, at this moment, as he looked at the
cat and the cat at him, he was conscious of no such feeling, and put
down the absence of it, in so far as he consciously thought about it, to
the fact that he was in the open air, not in the atmosphere of a closed
room. Yet, last night out here, the cat had made him feel faint. But he
hardly gave a thought to this, for what filled his mind was that he saw
in the rather friendly interested look of the beast that expression in
the eye which had so baffled him in his portrait of Lady Madingley. So,
slowly, and without any sudden movement that might startle the cat, he
reached out his hand for the palette he had just put down, and in a
corner of the canvas not yet painted over, recorded in half a dozen
swift intuitive touches, what he wanted. Even in the broad sunlight
where the animal stood, its eyes looked as if they were internally
smouldering as well as being lit from without: it was just so that Lady
Madingley looked. He would have to lay colour very thinly over white....
For five minutes or so he painted them with quiet eager strokes,
drawing the colour thinly over the background of white, and then looked
long at that sketch of the eye to see if he had got what he wanted. Then
he looked back at the cat which had stood so charmingly for him. But
there was no cat there. That, however, since he detested them, and this
one had served his purpose, was no matter for regret, and he merely
wondered a little at the suddenness of its disappearance. But the legacy
it had left on the canvas could not vanish thus, it was his own, a
possession, an achievement. Truly this was to be a portrait which would
altogether out-distance all he had ever done before. A woman, real,
alive, wearing her soul in her eyes, should stand there, and summer riot
round her.
An extraordinary clearness of vision was his all day, and towards sunset
an empty whisky-bottle. But this evening he was conscious for the first
time of two feelings, one physical, one mental, altogether strange to
him: the first an impression that he had drunk as much as was good for
him, the second a sort of echo in his mind of those tortures he had
undergone in the autumn, when he had been tossed aside by the girl, to
whom he had given his soul, like a soiled glove. Neither were at all
acutely felt, but both were present to him.
Public-domain text, read in full here on John Shaqi.
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