"Beauty is always a thing of the soul, Nan," he rushed on. "The things
we possess are signs of the spirit or we don't possess them--they
possess us. The dress you wear expresses something within you when it
fits your beautiful body so perfectly. The mere possession of houses
and lands and things has no meaning unless they reveal _us_. If they
merely express the labour of an ancestor, the mind of an architect or
the genius of a manager, we are only intruders on the scene, not the
creator and therefore the possessor of the beauty we aim at. A home, a
dress, are symbols, or nothing but goods and chattels. I have seen you
wear dresses made by your own hand that revealed a whole conception of
life and hats that were poems. The dress you wear to-day is perfect
because it expresses you. The clothes of a millionaire's wife have no
meaning except conformity to fashion and the expenditure of vast sums
of money. The poetic taste, the subtle mystery of personality which you
put into your dress have always been a joy to me."
In spite of her fierce determination to give no response to his appeal
her fingers instinctively tightened on the hand which had seized hers.
His own pressed with new courage and he went on.
"Bivens may think he owns that big black hulk lying out there belching
smoke from her huge funnels. But he only pays the bills to keep her
going. It takes fifty men to run her. I have a little sloop with a
cabin for two. She cost me fifteen hundred dollars and I own her,
because I dreamed every rib in her body, every rivet, every line of her
graceful form. I created her and gave her a soul. I feel the beat of
her proud little heart in the storm and the soft touch of her sleepy
wings in the calm. She is part of the rhythm of my life.
"It is not money that gives value or ownership to things. You can only
own that which expresses you. For that reason you cannot own the
palaces of which you dream. Their service will require a hundred
thieving hirelings whose very names you cannot know. This house is mine
because I have built it as a work of love and art and expressed myself
in it with infinite tenderness and infinite pains. It is not a palace
in size, but it is a palace, glorious and wonderful, in a deeper
spiritual sense, because it is a poem. Every spar of wood in it is
perfect of its kind. Every stone in it is a gem because it is the right
thing in the right place. There isn't a shoddy bit of material or a
slipshod piece of work from the green tile in its roof to the stone
boulders on which it rests. It will last our lives and generations to
follow. The very mortar between the bricks and the cement between the
stones are perfect because they were mixed with tears of joy that
bubbled from my heart as I stood here, watched and sang my love for
you----"
The lover paused a moment, overcome with his emotion, and he knew by
the quick rising and falling of the girl's breast that a battle was
raging.
Public-domain text, read in full here on John Shaqi.
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