The talking-machine was also a surprise for Allan. Phyllis thought
afterward that she should have saved it for another day, but the
temptation to grace the occasion with it was too strong. She and Allan
were as excited over it as a couple of children, and the only drawback
to Allan's enjoyment was that he obviously wanted to take the records
out of her unaccustomed fingers and adjust them himself. He knew how, it
appeared, and Phyllis naturally didn't. However, she managed to follow
his directions successfully. She had bought recklessly of rag-time
discs, and provided a fair amount of opera selections. Allan seemed
equally happy over both. After the thing had been playing for
three-quarters of an hour, and most of the records were exhausted,
Phyllis rang for tea. It was getting a little darker now, and the
wood-fire cast fantastic red and black lights and shadows over the room.
It was very intimate and thrilling to Phyllis suddenly, the fire-lit
room, with just their two selves there. Allan, on his couch before the
fire, looked bright and contented. The adjustable couch-head had been
braced to such a position that he was almost sitting up. The bull-dog,
who had lately come back from a long walk with the gratified outdoor
man, snored regularly on the rug near his master, wakening enough to bat
his tail on the floor if he was referred to. The little tea-table was
between Allan and Phyllis, crowned with a bunch of apple-blossoms, whose
spring-like scent dominated the warm room. Phyllis, in her green gown,
her cheeks pink with excitement, was waiting on her lord and master a
little silently.
Allan watched her amusedly for awhile--she was as intent as a good child
over her tea-ball and her lemon and her little cakes.
"Say something, Phyllis," he suggested with the touch of mischief she
was not yet used to, coming from him.
"This is a serious matter," she replied gravely. "Do you know I haven't
made tea--afternoon tea, that is--for so long it's a wonder I know which
is the cup and which is the saucer?"
"Why not?" he asked idly, yet interestedly too.
"I was otherwise occupied. I was a Daughter of Toil," explained Phyllis
serenely, setting down her own cup to relax in her chair, hands behind
her head; looking, in her green gown, the picture of graceful, strong,
young indolence. "I was a librarian--didn't you know?"
"No. I wish you'd tell me, if you don't mind," said Allan. "About you, I
mean, Phyllis. Do you know, I feel awfully married to you this
afternoon--you've bullied me so much it's no wonder--and I really ought
to know about my wife's dark past."
Phyllis's heart beat a little faster. She, too, had felt "awfully
married" here alone in the fire-lit living-room, dealing so intimately
and gayly with Allan.
"There isn't much to tell," she said soberly.
"Come over here closer," commanded Allan the spoilt. "We've both had all
the tea we want. Come close by the couch. I want to see you when you
talk."
Phyllis did as he ordered.
Public-domain text, read in full here on John Shaqi.
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