"Where's the kid?" he demanded sharply. "My wife said he was with you,
Joey. Say, I don't like this business. They're out in front now,
looking for him. Two of 'em. Have you let him get away?"
David, peering from behind the real clown, experienced an instantaneous
feeling of aversion for Braddock, the proprietor. Even as he quailed
beneath the new peril that asserted itself in no vague manner, he found
himself wondering how this man could have come to be the husband of his
lovely benefactress.
"He's here, Tom," announced Grinaldi, shoving the boy forward.
"What's he doing in that costume?" demanded the owner, dropping the
flap and staring hard at the boy.
"His clothes were wet. Besides, if they come botherin' around back
'ere, Tom, they won't be so likely to reckernise him in these--"
"Say, do you suppose I'm going to get into a muss with these people by
hiding a murderer?" snapped Braddock. "Bring him out here. Come along,
bub."
"You're getting blamed virtuous all of a sudden, Braddock," said the
clown angrily. "'Ow about these dogs you are protectin' all the time?
What's more, this 'ere kid's innocent."
"There's five hundred dollars reward for this fellow," said Braddock,
jamming his hands into his coat pockets. "That doesn't sound like he's
innocent, does it? Besides, the officers are plumb certain he's hanging
around this show some place. I'm not going to be pestered with
constables and detectives from here to Indiana, let me tell you that.
It's bad business, monkeying with stray boys, ever since the Charley
Ross kidnapping job last year. So you lummixes have decided to protect
him, have you? Why, the whole pack of you ought to be in jail for even
thinkin' of it. Come out here, boy!"
Without a word, the boy shook himself free of Grinaldi's protecting
grasp, and stepped forward.
"I'm not willing to see these men get into trouble," he said steadily,
addressing the boss. "Give me time to change my clothes again, and then
you can call in the officers."
"Don't be a fool," exclaimed the clown. A murmur of protest arose from
the others.
"Thomas!" A woman's voice was calling from the other side of the low
canvas partition.
"That's my wife," growled Braddock. "I suppose she'll be beggin' for
you, too. What do you want?" The question was roared through the canvas.
"Come here, please. I must speak with you."
"Change your clothes, boy," he said, after a moment of indecision. "See
that he don't get away, you fellows. If he gives you the slip, I'll
have blood, and don't you forget it."
Public-domain text, read in full here on John Shaqi.
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