American essays -- 20th century; Literature -- History and criticism
The situation has consequences. Though the king who can command a poet
or the politician who can catch a biographer will always have one,
few other persons outside the poet’s or the biographer’s own caste
boast any such intercessors with the future. The most mighty man of
business perishes from the public memory almost as speedily as the most
petty trader. The artisan who has invented no matter how comfortable
devices and the athlete who has been no matter how much on the tongues
of men leave but short wakes of fame behind them. Now this may hint
that those who do not survive actually merit oblivion, but it does
not prove it. Rather, it proves that peoples have the best memories
with regard to those men and women about whom there are voices to go
on speaking. In any given generation rumour widens out in various
ways: its heroes are pugilists and saints and misers and entertainers
and generals and statesmen and orators and preachers and lovers and
murderers and philanthropists and scholars and poets and humorists
and musicians and detectives—all mingled in one vast confusion. But
with posterity selection intervenes. A hundred fames grow dim because
no one has a special reason for perpetuating them; word of mouth in
general is not enough. Even particular professions in time forget those
who once practised them eminently. Only of the men of letters—bards
and biographers—is it the trade as well as the delight to keep old
reputations burning. And it is only certain things that they remember:
blood and glory and learning. Paul Revere gave a lifetime to a noble
craft and a few hours all told to a midnight ride which any man might
have made who was able to sit a horse and follow a dark road. Who now
hears of Revere’s craft? He is merely a demigod and Longfellow is his
prophet; the two of them symbolize the past, as most men see it, and
the way of the bards with the past.
Public-domain text, read in full here on John Shaqi.
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