The failure of the Mulready envelope to establish itself in public favour is surely a monument to the caprice of the national taste, if it be not an evidence of how readily the tide of thoughtless opposition may set in to reject that which is new or unusual, without serious grounds for dislike. A facsimile of the design is here given, the envelopes for sale being printed in two colours--black and blue. [Illustration] It was introduced to the notice of the public at the time of the establishment of the penny postage, being intended to supply a desideratum in this respect, that the cover should serve the combined purposes of an envelope and a postage-stamp, the envelopes being good for a postage of one penny or twopence, according as they were printed in black or blue. Mulready, a member of the Royal Academy, was the artist, and the design had the approval of the Royal Academicians, so that it did not go forth without substantial recommendations. If the subjects be examined, it will be found that they are accurately drawn, ingeniously worked together, and apposite in their references to the beneficent work of the Post-office Department. Britannia sending forth her messengers to every quarter of the globe, ships upon the sea with sails unfurled ready to obey her instant behests, the reindeer as the emblem of speed in the regions of snow, intercourse with the nations of the East and of the West, and the blessings of cheap postage in its social aspects, are all suitably depicted. Yet the whole thing fell flat; the envelope drew down upon itself scorn and ridicule, and it had to be quickly withdrawn. In the end, it was necessary to provide special machinery to destroy the immense quantities of the envelope which had been prepared for issue. It is amusing, however, to read the contemptuous and very funny criticisms which were showered upon the artist and Mr Rowland Hill by the newspapers of the day, in one of which the following remarks appear:--