A Makalanga is by nature vain, and particular about the appearance of his nudity; the ladies have fashions in beads and cloths, like our ladies at home, and before visiting a fresh kraal our men used to love to polish themselves like mahogany, by chewing the monkey-nut and rubbing their skins with it, good-naturedly doing each other’s backs and inaccessible corners. Somehow they know what becomes them too, twisting tin ornaments, made from our meat tins, into their black hair. Just now they will have nothing but red beads with white eyes, which they thread into necklaces and various ornaments, and which look uncommonly well on their dark skins; and though it seems somewhat paradoxical to say so of naked savages, yet I consider no one has better taste in dress than they have until a hybrid civilisation is introduced amongst them. From many of the huts at Inyamanda were hanging their dollasses—wooden charms, on which are drawn strange figures. Each family possesses a set of four tied together by a string. Of these four one always has a curious conventional form of a lizard carved on it; others have battle axes, diamond patterns, and so forth, invariably repeating themselves, and the purport of which I was never able to ascertain. They are common amongst all the Abantu races, and closely bound up with their occult belief in witchcraft; they are chiefly made of wood, but sometimes neat little ones of bone are found, a set of which I afterwards obtained. On the evening of the new moon they will seat themselves in a circle, and the village witch doctor will go round, tossing each man’s set of dollasses in the air, and by the way they turn up he will divine the fortune of the individual for the month that is to come. There are many odds and ends of interest scattered about a Makalanga village; there is the drum, from two to four feet in height, covered with zebra or other skin, platted baskets for straining beer, and long-handled gourds, with queer diagonal patterns in black done upon them, which serve as ladles. Most of their domestic implements are made of wood—wooden pestles and wooden mortars for crushing grain, wooden spoons and wooden platters often decorated with pretty zigzag patterns. Natural objects, too, are largely used for personal ornaments. Anklets and necklaces are made out of mimosa pods; necklaces, really quite pretty to look upon, are constructed out of chicken bones; birds’ claws and beaks, and the seeds of various plants, are constantly employed for the same purpose. Grass is neatly woven into chaplets, and a Makalanga is never satisfied unless he has a strange bird’s feather stuck jauntily in his woolly locks.