The ruined cities of Mashonaland: Being a record of excavation and exploration in 1891Bent, J. Theodore (James Theodore)
History
The ruined cities of Mashonaland: Being a record of excavation and exploration in 1891
Bent, J. Theodore (James Theodore)
Extinct cities -- Zimbabwe -- Mashonaland; Great Zimbabwe (Extinct city)
First, let us take the birds perched on tall soapstone columns, which,
from the position in which we found most of them, would appear to have
decorated the outer wall of the semicircular temple on the hill. These
birds are all conventional in design. The tallest stood 5 feet 4 inches
in height, the smallest about half a foot lower. We have six large ones
and two small ones in all, and probably, from the number of soapstone
pedestals with the tops broken off which we found in the temple, there
were several more. Though they are all different in execution, they
would appear to have been intended to represent the same bird; from the
only one in which the beak [12] is preserved to us intact, we
undoubtedly recognise that they must have been intended to represent
hawks or vultures. The thick neck and legs, the long talons and the
nature of the plumage point more distinctly to the vulture; the
decorations on some of them, namely, the dentelle pattern at the edge
of the wings, the necklace with a brooch in front and continued down
the back, the raised rosette-shaped eyes, and the pattern down the
back, point to a high degree of conventionality, evolved out of some
sacred symbolism of which these birds were the embodiment, the nature
of which symbolism it is now our object to arrive at. Two of the birds,
similar in character, with straight legs and fan-shaped tails different
from the others, are represented as perched on zones or cesti; two
others have only indications of the cestus beneath their feet; a fifth,
with nothing beneath its feet, has two circles carved under it and two
on the wings [13]; a sixth is perched on a chevron pattern similar to
that which decorates the large circular temple; hence there is a sort
of similarity of symbolism connecting them all.
We have now to look around for comparisons by which we may hope to
identify the origin of our birds, and I have little doubt in stating
that they are closely akin to the Assyrian Astarte or Venus, and
represent the female element in creation. Similar birds were sacred to
Astarte amongst the Phœnicians and are often represented as perched on
her shrines.
Public-domain text, read in full here on John Shaqi.
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