The Rulers of the MediterraneanDavis, Richard Harding
History
The Rulers of the Mediterranean
Davis, Richard Harding
Mediterranean Region -- Description and travel
The cafe chantant is a long room lined with mats, and with rugs
scattered over the floor, on which sit musicians and the regular
customers of the place, who play cards and smoke long pipes, with which
they rap continually on the tin ash-holders. The music is very strange,
to say the least, and the singing very startling, full of sudden pauses,
and beginning again after one of these when you think the song is over.
It is not a particularly exciting place to visit, but there is no choice
between that and the hotel smoking-room. Tangier is not a town where one
can move about much at night. There is also a place where the guests
tell you that you can see Moorish women dance the dance which so
startled Paris in the Algerian exhibit at the exposition. As I had no
desire to be startled in that way again, I did not go to see them, and
so cannot say what they are like. But it is quite safe to say that any
visitor to Tangier who thinks he is seeing anything that is real and
native to the home life of the people, and that is not a show gotten up
by the guides, is going to be greatly taken in. The harem to which they
lead women is not a harem at all, but the home of the widow of an
ex-governor, who sits with her daughters for strange women to look at.
It is a most undignified proceeding on the part of the widow of a dead
Bashaw, and no one but the guides know what she is doing. I came to
find out about it through some American women who went there with Isaac
in the morning, and were taken to call at the same place by an English
lady resident in the afternoon. The English woman laughed at them for
thinking they had seen the interior of a harem, and they did not tell
her that they had already visited her friends and paid their franc for
admittance to their society.
The other show places are the governor's palace and the prisons. The
palace is a very handsome Moorish building, and the prisons are very
dirty. All that the tourist can see of them is the little he can discern
through a hole cut in the stout wooden door of each, which is the only
exit and entrance. You cannot see much even then, for the prisoners, as
soon as they discover a face at the opening, stick it full of the
palm-leaf baskets that they make and sell in order to buy food. The
government gives them neither water, which is expensive in Tangier, nor
bread, unless they are dying for want of it, but expects the family or
friends of each criminal to see that he is kept alive until he has
served out his term of imprisonment.
[Illustration: WATER-VENDER AT THE DOOR OF A PRIVATE HOUSE]
Public-domain text, read in full here on John Shaqi.
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