The Rulers of the MediterraneanDavis, Richard Harding
History
The Rulers of the Mediterranean
Davis, Richard Harding
Mediterranean Region -- Description and travel
There was music for breakfast, dinner, and tea; music when the fingers
of the trombonist were frozen and when the snow fell upon the taut
surface of the big drum; and music at dawn to tell us it was Sunday, so
that you awoke imagining yourself at church. There was also a ball, and
the captain led an opening march, and the stewards stood at every point
to see that the passengers kept in line, and "rounded up" those who
tried to slip away from the procession. There were speeches, too, at all
times, and lectures and religious services, and on the last night out a
grand triumph of the _chef_, who built wonderful candy goddesses of
Liberty smiling upon the other symbolic lady who keeps watch on the
Rhine, and the band played "Dixie," which it had been told was the
national anthem, and the portrait of the German Emperor smiled down upon
us over his autograph. All this was interesting, because it was
characteristic of the Germans; it showed their childish delight in
little things, and the same simplicity of character which makes the
German soldiers who would not move out of the way of the French bullets
dance around a Christmas-tree. The American or the Englishman will not
do these things, because he has too keen a sense of the ridiculous, and
is afraid of being laughed at. So when he goes to sea he plays poker and
holds auctions on the run.
There was only one passenger on board who objected to the music. He was
from Detroit, and for the first three days remained lashed to his
steamer chair like a mummy, with nothing showing but a blue nose and
closed eyelids. The band played at his end of the deck, and owing to
the fingers of the players being frozen, and to the sudden lurches of
the ship, the harmony was sometimes destroyed. Those who had an ear for
music picked up their steamer chairs and moved to windward; but this
young man, being half dead and firmly lashed to his place, was unable to
save himself.
On the morning of the fourth day, when the concert was over and the band
had gone to thaw out, the young man suddenly sat upright and pointed his
forefinger at the startled passengers. We had generally decided that he
was dead. "The Lord knows I'm a sick man," he said, blinking his eyes
feebly; "but if I live till midnight I'll find out where they hide those
horns, and I'll drop 'em into the Gulf Stream, if it takes my dying
breath." He then fell over backwards, and did not speak again until we
reached Gibraltar.
Public-domain text, read in full here on John Shaqi.
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