The Rulers of the MediterraneanDavis, Richard Harding
History
The Rulers of the Mediterranean
Davis, Richard Harding
Mediterranean Region -- Description and travel
Ismail was the first Khedive who discovered that the easiest way to get
money is to borrow it. He found that all one has to do is to sign a
paper, and you get the money. It was very easy for Ismail to borrow
money, because the credit of Egypt was good and sound in itself, and
because foreigners, who even at that time swarmed in Egypt, knew that
the repudiation of debts, while possible in a powerful or free
government, was not to be feared from that country. So there began a
reign of extravagance for which history has no parallel. If "money
breeds money," it is also true that those who spend money freely are
given more chances to do so than any one else. Adventurers, charlatans,
rascals of every climate and every nationality, swarmed down upon Cairo,
and fought with one another for a chance to glut themselves at the
repast which this reckless profligate spread for all comers. No man
probably was ever so basely cheated as was Ismail, or on so magnificent
a scale. And nothing remains but ruins to show where the money spent on
his own personal pleasure was bestowed. That other magnificent
reprobate, William M. Tweed, left monuments like the Court House to
commemorate his thefts of public money; but Ismail's palaces are falling
in pieces, the rain has washed the paint off the boards, the tips of the
crescents are broken, and great gardens filled with fountains and
mosaic paths are choked with weeds and covered with fallen leaves and
the dirt and dust of neglect and decay. You can walk over long marble
floors which have sunk by their own weight through the rotten
foundations, and see yourself at full length in bleared mirrors
surrounded by the gilt borders and blue silken curtains of the Second
Empire. Ismail ordered these palaces as men order hats, and threw them
away as you toss an empty cartridge from a gun-barrel. And that was all
the most of them ever were, empty cartridges, mere shells of wood
painted to look like marble, and gilding and mirrors, as tasteless as
the buildings at the Centennial Exposition, and lasting as long.
Public-domain text, read in full here on John Shaqi.
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