And yet they pleased him, and he ordered more and more, so that wherever his eye might rest it would fall upon a palace which would serve as a fitting covering for his royal person, and as a testimony to his magnificence. He wanted many, and he wanted them at once. He had them built at night by the light of candles. The Palace of Gizeh, which is now a museum, was reared in this way while Cairo slept, and at a cost of twenty-four million dollars. The curtains ordered for its windows cost one thousand dollars each, and when it was found that they did not fit the windows, the entire front of the building was torn down, and a new front with windows to match the curtains was put in its place. He built an opera-house as fine as that of Covent Garden in six months, and a grotto as dark and cool as the Mammoth Cave, with stalactites of painted rope and rocks of papier-mache and mud, with its sides lined with aquariums, in which swam strange fish. The wind and the dust play through this grotto to-day; for he no sooner reared a palace in air than he turned from it to some new toy. These are the things you can see. You can hear stories--some of them true, some of them possible--of things that are past, such as his swimming-tanks where a hundred of the slaves of the harem bathed together for his edification; the pie out of which, when it was opened, there stepped a ballet-dancer; and the story of the disappearance of the Pasha who grew too rich. This is, unfortunately, a true story, and not one out of the _Arabian Nights_. This Pasha was invited by Ismail to see a new dahabeeyah, and never returned. But one of the attendants on the Khedive came back some weeks later with his finger bitten off at the joint. He and Ismail alone know where the Pasha who was too rich has gone.