The voice stopped. The little round clock on the window-sill ticked very distinctly and rapidly, as if it were in a hurry. “I will speak as short as I can. It was in the camp of 'Poleon Gautier, on the river St. Maurice. The big Baptiste Lacombe, that crazy boy who wants always to fight, he mocks me when I play, he snatches my violin, he goes to break him on the stove. There is a knife in my belt. I spring to Baptiste. I see no more what it is that I do. I cut him in the neck--once, twice. The blood flies out. He falls down. He cries, 'I die.' I grab my violin from the floor, quick; then I run to the woods. No one can catch me. A blanket, the axe, some food, I get from a hiding-place down the river. Then I travel, travel, travel through the woods, how many days I know not, till I come here. No one knows me. I give myself the name Tremblay. I make the music for them. With my violin I live. I am happy. I forget. But it all returns to me--now--at the last. I have murdered. Is there a forgiveness for me, mon pere?” The priest's face had changed very swiftly at the mention of the camp on the St. Maurice. As the story went on, he grew strangely excited. His lips twitched. His hands trembled. At the end he sank on his knees, close by the bed, and looked into the countenance of the sick man, searching it as a forester searches in the undergrowth for a lost trail. Then his eyes lighted up as he found it. “My son,” said he, clasping the old fiddler's hand in his own, “you are Jacques Dellaire. And I--do you know me now?--I am Baptiste Lacombe. See those two scars upon my neck. But it was not death. You have not murdered. You have given the stroke that changed my heart. Your sin is forgiven--AND MINE ALSO--by the mercy of God!” The round clock ticked louder and louder. A level ray from the setting sun--red gold--came in through the dusty window, and lay across the clasped hands on the bed. A white-throated sparrow, the first of the season, on his way to the woods beyond the St. Lawrence, whistled so clearly and tenderly that it seemed as if he were repeating to these two gray-haired exiles the name of their homeland. “Sweet--sweet--Canada, Canada, Canada!” But there was a sweeter sound than that in the quiet room. It was the sound of the prayer which begins, in every language spoken by men, with the name of that Unseen One who rules over life's chances, and pities its discords, and tunes it back again into harmony. Yes, this prayer of the little children who are only learning how to play the first notes of life's music, turns to the great Master musician who knows it all and who loves to bring a melody out of every instrument that He has made; and it seems to lay the soul in His hands to play upon as He will, while it calls Him, OUR FATHER!