Country life -- England; England -- Social life and customs -- 19th century
Mr. Wordsworth, in his Guide to the Lakes of Westmoreland and
Cumberland, complains grievously of the injury done to the scenery
there, by the injudicious planting of larch. “Larch and fir plantations
have been spread, not merely with a view to profit, but in many
instances for the sake of ornament. To those who plant for profit, and
are thrusting every other tree out of the way, to make room for their
favourite, the larch, I would utter first a regret, that they should
have selected these lovely vales for their vegetable manufactory, when
there is so much barren and irreclaimable land in the neighbouring
moors, and in other parts of the island, which might have been had for
this purpose at a far cheaper rate.--It must be acknowledged that the
larch, till it has outgrown the size of a shrub, shews, when looked at
singly, some elegance of form and appearance, especially in spring,
decorated, as it then is, by the pink tassels of its blossoms; but, as a
tree, it is less than any other pleasing. Its branches--for boughs it
has none--have no variety in the youth of the tree, and little dignity
even when it attains its full growth; _leaves_ it cannot be said to
have, consequently affords neither shade nor shelter. In spring, the
larch becomes green long before the native trees, and its green is so
peculiar and vivid, that, finding nothing to harmonize with it, wherever
it comes forth a disagreeable speck is produced. In summer, when all
other trees are in their pride, it is of a dingy, lifeless hue; in
autumn, of a spiritless unvaried yellow; and in winter, it is still more
lamentably distinguished from any other deciduous tree of the forest,
for they seem only to sleep, but the larch seems absolutely dead. If an
attempt be made to mingle thickets, or a certain proportion of other
forest trees, with the larch, its horizontal branches intolerantly cut
them down, as with a scythe, or force them to spindle up to keep pace
with it. The terminating spike renders it impossible that the several
trees, where planted in numbers, should ever blend together so as to
form a mass, or masses of wood. Add thousands to tens of thousands, and
the appearance is still the same--a collection of separate individual
trees, obstinately presenting themselves as such; and which, from
whatever point they are looked at, if but seen, may be counted upon the
fingers. Sunshine, or shadow, has little power to adorn the surface of
such a wood; and the trees not carrying up their heads, the wind raises
amongst them no majestic undulations.”
Public-domain text, read in full here on John Shaqi.
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