The Rural Magazine, and Literary Evening Fire-Side, Vol. 1 No. 01 (1820) — John Shaqi
The Rural Magazine, and Literary Evening Fire-Side, Vol. 1 No. 01 (1820)Various
History
The Rural Magazine, and Literary Evening Fire-Side, Vol. 1 No. 01 (1820)
Various
Agriculture; Agriculture -- Periodicals
gave infinite zest and effect to the condensed and inexhaustible
information which formed its main staple and characteristic. There
was a little air of affected testiness, and a tone of pretended
rebuke and contradiction, with which he used to address his younger
friends, that was always felt by them as an endearing mark of his
kindness and familiarity, and prized accordingly far beyond all the
solemn compliments that ever proceeded from the lips of authority.
His voice was deep and powerful, though he commonly spoke in a low
and somewhat monotonous tone, which harmonized admirably with the
weight and brevity of his observations, and set off to the greatest
advantage the pleasant anecdotes which he delivered with the same
grave brow and the same calm smile playing soberly on his lips.
There was nothing of effort indeed, or impatience, any more than of
pride or levity, in his demeanour; and there was a finer expression
of reposing strength, and mild self-possession in his manner, than
we ever recollect to have met with in any other person. He had in
his character the utmost abhorrence for all sorts of forwardness,
parade and pretensions; and, indeed, never failed to put all such
impostors out of countenance, by the manly plainness and honest
intrepidity of his language and deportment.
In his temper and dispositions he was not only kind and
affectionate, but generous and considerate of the feelings of all
around him, and gave the most liberal assistance and encouragement
to all young persons who showed any indications of talent, or
applied to him for patronage or advice. His health, which was
delicate from his youth upwards, seemed to become firmer as he
advanced in years; and he preserved, up almost to the last moment
of his existence, not only the full command of his extraordinary
intellect, but all the alacrity of spirit, and the social gaiety
which had illuminated his happiest days. His friends in this part
of the country never saw him more full of intellectual vigour and
colloquial animation, never more delightful or instructive, than in
his last visit to Scotland, in autumn, 1817. Indeed, it was after
that time that he applied himself, with all the ardour of early
life, to the invention of a machine for mechanically copying all
sorts of sculpture and statuary, and distributed among his friends
some of its earliest performances, as the productions of a young
artist just entering on his 83d year.
Public-domain text, read in full here on John Shaqi.
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