The Rush for the Spoil (La Curée): A Realistic NovelZola, Émile
General
The Rush for the Spoil (La Curée): A Realistic Novel
Zola, Émile
Paris (France) -- Social life and customs -- Fiction
Maxime however was one of Madame Sidonie's boon friends. When only
fifteen years old he went on the prowl to his aunt's, smelling the
forgotten gloves which he found lying on the furniture. She, who
hated clear situations and never owned her little services, ended by
lending him the keys of her rooms, on certain days, saying that she
would remain in the country until the morrow. Maxime talked about some
friends whom he wished to entertain and whom he did not like to take to
his father's. It was in the rooms of the Rue du Faubourg-Poissonnière
that he spent several nights with the poor girl whom one was afterwards
obliged to send into the country. Madame Sidonie borrowed money from
her nephew, and went into ecstacies before him, murmuring in a soft
voice that he was "without a hair, as rosy as a Cupid."
Maxime had grown however. He was now a pretty, slightly built young man
who had retained the rosy cheeks and blue eyes of childhood. His curly
hair completed that girlish appearance, which so delighted the ladies.
He resembled poor Angèle with his soft eyes and blonde pallor. But he
was not even the equal of that indolent shallow woman. In him the race
of the Rougons had a tendency to refinement and became delicate and
vicious. The offspring of too young a mother, constituting a strange,
jumbled, and so to say unmingled combination of his father's furious
appetites and his mother's self-abandonment and weakness, he was a
defective offspring in whom the parental failings were completed and
aggravated. This family of the Rougons lived too fast; it was dying
out already in the person of this frail creature whose sex must have
remained in suspense during formation, and who no longer represented
a will, eager for gain and enjoyment like Saccard, but a species of
cowardice, devouring fortunes already made; a strange hermaphrodite
ushered at the right time into a society that was rottening. When
Maxime went to the Bois de Boulogne, with his waist tightly compressed
like a woman's, lightly dancing in the saddle on which he was swayed by
the canter of his horse, he was the god of the age, with his strongly
developed hips, his long slender hands, his sickly lascivious air, his
correct elegance, and his slang learnt at petty theatres. At twenty
years of age he placed himself above all surprises and all disgusts.
He had certainly dreamt of the most unusual beastliness. But with him
vice was not an abyss, as it is with certain old men, but a natural
external bloom. It curled upon his fair hair, smiled upon his lips,
and dressed him like his clothes. However his great characteristic was
especially his eyes, two clear and smiling blue apertures, true mirrors
for a coquette, but behind which one perceived all the emptiness of his
brain. Those harlot eyes were never lowered; they courted pleasure, a
pleasure without fatigue which one summons and receives.
Public-domain text, read in full here on John Shaqi.
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