The Rush for the Spoil (La Curée): A Realistic NovelZola, Émile
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The Rush for the Spoil (La Curée): A Realistic Novel
Zola, Émile
Paris (France) -- Social life and customs -- Fiction
The everlasting gust of wind which swept into the rooms in the Rue de
Rivoli and banged their doors, blew stronger and stronger while Maxime
grew up, while Saccard enlarged the sphere of his transactions, and
Renée threw more fever into her search for unknown enjoyment. These
three beings ended by leading an astonishing life of liberty and folly.
It was the ripe and prodigious fruit of a period. The street invaded
the flat with its rumble of vehicles, its elbowing of strangers, and
its licence of language. The father, the stepmother, the stepson,
acted, talked, and set themselves at ease just as if they had each
been alone living a bachelor life. Three boon friends, three students
sharing the same furnished room, would not have disposed of that room
more unceremoniously to install therein their hobbledehoy vices, loves,
and noisy pleasures. The Saccards met with hand-shakes, did not seem to
suspect the reasons which united them under the same roof, and behaved
cavalierly and joyously towards each other, each thus assuming absolute
independence. They replaced family ties by a kind of partnership, the
profits of which are divided in equal shares; each one drew his share
of pleasure to himself, and it was tacitly understood that each should
dispose of that share as he thought fit. They went so far as to take
their enjoyment in presence of one another, to display it, and describe
it without awakening aught but a little envy and curiosity.
Maxime now instructed Renée. When he went to the Bois with her he told
her stories about prostitutes which greatly enlivened her. A new woman
could not appear near the lake without his setting forth on a campaign
to ascertain the name of her protector, the allowance he made her, and
the style in which she lived. He was acquainted with these ladies'
homes, and with the particulars of their private life; indeed he was a
perfect living catalogue in which all the harlots were numbered, with
a complete description of each of them. This gazette of scandal was
Renée's delight. On race-days at Longchamps, when she passed by in her
carriage, she listened eagerly, albeit retaining her haughtiness as
a woman of good society, to the story of how Blanche Müller deceived
her embassy attaché with a hair-dresser; or how the little baron had
found the count in his drawers in the alcove of a skinny, red-haired
notoriety who was called the Crawfish. Each day brought its tattle.
When the story was rather too stiff Maxime lowered his voice, but he
nevertheless went on to the end. Renée opened her eyes wide, like a
child to whom a good trick is related, restrained her laughter, and
then stifled it in her embroidered handkerchief, which she gently
pressed to her lips. Maxime also brought these women's photographs. He
had portraits of actresses in all his pockets and even in his cigar
case. At times he had a clearing out and placed these women in the
album which was always trailing over the furniture in the drawing-room,
Public-domain text, read in full here on John Shaqi.
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