The Rush for the Spoil (La Curée): A Realistic Novel — John Shaqi
The Rush for the Spoil (La Curée): A Realistic NovelZola, Émile
General
The Rush for the Spoil (La Curée): A Realistic Novel
Zola, Émile
Paris (France) -- Social life and customs -- Fiction
And she said nothing further. She had turned completely round, and was
contemplating the strange picture which was disappearing behind her.
It was now almost dark; dusk was gradually enveloping all like a fine
dust. The lake, when looked at front ways, in the pale light which
still hovered over it, seemed to become rounder, and had the appearance
of an immense plate of brass; on either side, the plantations of
evergreens, the slim straight stems of which looked as though they
issued from the still water, assumed at this hour the aspect of violet
tinted colonnades, describing with their regular architecture the
elaborate curves of the shores; then, right at the back, rose groups
of shrubs and trees, confused masses of foliage, broad black patches
closing the horizon. Behind these patches there shone a bright glimmer,
an expiring sunset which merely lit up a very small portion of the
grey immensity. Above this motionless lake and these low copses, this
point of view so peculiarly flat, the vault of heaven opened infinite,
deeper and more expanded still. This great extent of sky over this tiny
corner of nature caused a shudder, an undefinable sadness; and there
descended from these pale altitudes such an autumnal melancholy, so
sweet and yet so heartbreaking a darkness, that the Bois, enveloped
little by little in a veil of obscurity, lost its worldly graces, and
breaking its bounds became filled with all the powerful charm of a
forest. The rumble of the vehicles, the bright colours of which became
lost in the dim light, sounded like the distant murmurs of leaves and
water-courses. Everything had an expiring air. In the centre of the
lake, amidst the universal evanescence, the Latin sail of the large
pleasure boat stood out, vigorously defined, against the last glow of
the sunset. And one could no longer distinguish anything but this sail,
this triangle of yellow canvas, inordinately enlarged.
In the midst of her satiety, Renée experienced a singular sensation
of unavowable desires at the sight of this landscape she no longer
recognised, of this bit of nature so artistically worldly, and which
by its great shivering darkness seemed changed into some sacred wood,
one of those ideal glades in whose recesses the gods of antiquity used
to hide their giant loves, their divine adulteries and incests. And as
the carriage drove away, it seemed to her that the twilight carried off
behind her, hidden in its trembling veil, the land of her dreams, the
shameful and unearthly alcove where she might at last have swaged her
suffering heart, her wearied flesh.
When the lake and the copses, rapidly vanishing in the shades of night,
merely appeared as a black bar against the sky, the young woman turned
abruptly round, and, in a voice full of tears of vexation, she resumed
her interrupted sentence:
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