The Rush for the Spoil (La Curée): A Realistic NovelZola, Émile
General
The Rush for the Spoil (La Curée): A Realistic Novel
Zola, Émile
Paris (France) -- Social life and customs -- Fiction
Their confidential, friendly chatting began again. Maxime had lighted
a cigar. Renée sipped her coffee and even allowed herself a glass of
chartreuse. The room grew warmer and became filled with bluish smoke.
She ended by setting her elbows on the table and by resting her chin
between her two half-closed fists. Under this slight pressure her
mouth grew smaller, her cheeks were slightly raised, and her narrow
eyes shone more brightly. Thus unsettled, her little face looked
adorable, under the stream of golden curls which now fell down upon
her eyebrows. Maxime gazed at her through the smoke of his cigar. He
found she had an original look. At certain moments he was no longer
quite sure as to her sex; the long wrinkle which crossed her forehead,
the pouting forwardness of her lips, the undecided air imparted by her
shortsightedness, made a tall young man of her; the more so, as her
long black satin blouse rose so high that one barely espied a white
fatty strip of neck under her chin. She let herself be looked at with a
smile, no longer moving her head, but with her eyes lost in vacancy and
her lips closed.
[Illustration: RENÉE AND MAXIME IN THE PRIVATE ROOM AT THE RESTAURANT.]
Then suddenly she woke up, and went to look at the mirror, towards
which her dreamy eyes had turned since a few moments. She raised
herself on tip-toe, and leant her hands on the edge of the mantelshelf
to read the signatures, the coarse remarks which had shocked her before
supper. She spelt the syllables with some little difficulty, laughed,
and then still read on like a schoolboy who is turning over some pages
of Piron in his desk.
"'Ernest and Clara'," said she, "and there is a heart underneath,
which looks like a funnel. Ah! this is better, 'I love men because
I like truffles.' Signed, 'Laure.' I say, Maxime, was it that woman
d'Aurigny who wrote that?----Then here are the arms of one of these
women, I fancy: a hen smoking a big pipe. And more names, a perfect
calendar of saints: 'Victor, Amélie, Alexandre, Édouard, Marguerite,
Paquita, Louise, Renée'--Ah, so there's one who is named like me--"
Maxime could see her ardent face in the looking-glass. She raised
herself up still more, and her domino, drawn more closely behind,
outlined the curve of her figure, the development of her hips. The
young fellow's eyes followed the line of the satin which moulded her
form like a chemise. He rose up in his turn and threw away his cigar.
He was ill at ease and nervous. Something usual and accustomed was
lacking about him.
"Ah, here's your name, Maxime," exclaimed Renée. "Listen--'I love--'"
But he had seated himself on a corner of the divan, almost at the young
woman's feet. And after succeeding in taking hold of her hands with a
prompt movement, and making her turn away from the looking-glass, he
said in a strange voice:
"Pray don't read that."
She struggled, laughing nervously.
"Why not? Am I not your confidante?"
But he insisted in a more husky tone.
Public-domain text, read in full here on John Shaqi.
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