The Rush for the Spoil (La Curée): A Realistic NovelZola, Émile
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The Rush for the Spoil (La Curée): A Realistic Novel
Zola, Émile
Paris (France) -- Social life and customs -- Fiction
"No, no, not this evening."
He was still holding her, and she tried to free herself with little
jerks of the wrists. Their eyes had an expression they were not
acquainted with; there was a touch of shame in their long, constrained
smile. She fell upon her knees at the edge of the divan. They continued
struggling although she no longer made an effort to return to the
mirror, and was already surrendering herself. And as the young fellow
caught her round the body, she said with an embarrassed dying laugh:
"Come, leave me. You are hurting me--"
It was the sole murmur that came from her lips. Amid the profound
silence of the room where the gas seemed to shoot up higher, she felt
the ground tremble and heard the crash of a Batignolles omnibus which
must have been turning the corner of the Boulevard. And it was all
over. When they again found themselves, seated side-by-side on the
divan, he stammered out, amid their mutual embarrassment:
"Bah! it was bound to happen one day or other."
She said nothing. With an overwhelmed air, she looked at the pattern of
the carpet.
"Were you thinking of it?" continued Maxime, stammering more and more.
"I wasn't, not at all. I ought to have mistrusted the private room."
But in a deep voice, as if all the middle-class uprightness of the
Bérauds Du Châtel had been awakened by this supreme sin:
"What we have just done is infamous," she murmured, sobered, her face
aged and very grave.
She was stifling. She went to the window, drew back the curtains,
and leant over the rail. The orchestra was hushed; the sin had been
committed amid the last quiver of the basses and the distant chant of
the violins, the vague soft music of the Boulevard now sleeping and
dreaming of love. The road and the side-walks stretched away below in
grey solitude. All the rumbling cab wheels seemed to have gone off,
taking the lights and the crowd away with them. Below the window, the
Café Riche was closed, not a ray of light glided from between the
shutters. Across the way, brazen-like gleams alone appeared upon the
façade of the Café Anglais, especially lighting up one window which
was partly open and whence a faint sound of laughter escaped. And all
along this ribbon of darkness, from the turn at the Rue Drouot to the
other end, as far as her eyes could reach, she no longer saw aught save
the symmetrical blurs of the kiosks tinging the night with red and
green, without illuminating it, and looking like night-lights spaced
along some giant dormitory. She raised her head. The high branches of
the trees stood out against a clear sky, while the irregular outline
of the house roofs died away till it seemed like a clustering heap of
rocks on the shore of a bluish sea. But this strip of sky saddened her
all the more, and it was in the darkness of the Boulevard alone that
she found some consolation. What lingered of the noise and vice of the
evening on the surface of the deserted thoroughfare excused her. She
Public-domain text, read in full here on John Shaqi.
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