The Rush for the Spoil (La Curée): A Realistic NovelZola, Émile
General
The Rush for the Spoil (La Curée): A Realistic Novel
Zola, Émile
Paris (France) -- Social life and customs -- Fiction
thought she could feel the heat of all these men and women's footsteps
ascend from the cooling footway. The shames that had trailed there,
the desires of a minute, the whispered offers, the weddings of a night
paid for in advance, were evaporating, floating about in a heavy mist
rolled away by the breath of morning. Leaning out into the darkness
she inhaled this quivering silence, this alcove-like smell, as an
encouragement which came to her from below, as an assurance that her
shame was shared and accepted by a colluding city. And when her eyes
had grown accustomed to the obscurity she perceived the woman in the
blue dress trimmed with lace, standing in the same place, alone in the
grey solitude, waiting and offering herself to the deserted darkness.
On turning, the young woman beheld Charles who was looking around him,
scenting like a dog. He ended by perceiving Renée's blue ribbon, lying
rumpled and forgotten on a corner of the divan. And with his polite
air, he hastened to take it to her. Then she realised all her shame.
Standing in front of the looking-glass she tried with clumsy hands to
tie the ribbon again. But her chignon had fallen, the little curls were
flattened on her temples, and she was unable to tie the bow. Charles
came to her help, saying, as if he were offering some usual thing, a
finger glass or some toothpicks:
"If madame would like the comb?"
"Oh! no, there's no need," interrupted Maxime, giving the waiter an
impatient look. "Go and fetch us a cab."
Renée made up her mind to pull the hood of her domino over her head.
And as she was about to leave the looking-glass, she lightly raised
herself in search of the words which Maxime's grasp had prevented her
from reading. Slanting upwards towards the ceiling, and written in a
large, abominable hand there was this declaration signed Sylvia: "I
love Maxime." On reading it Renée bit her lip and drew her hood rather
lower.
They experienced a horrible constraint in the vehicle. They had seated
themselves one in front of the other as when they left the Parc
Monceaux. They could not think of a word to say to each other. The cab
was full of opaque darkness, and Maxime's cigar didn't even dot it with
a red speck, a pink charcoal-like glimmer. The young fellow, again
hidden among the skirts, "which he had up to his eyes," felt ill at
ease amid this darkness and silence, near this speechless woman, whom
he felt beside him, and whose eyes he imagined he could see gazing wide
open into the night. To seem less foolish he ended by seeking her hand,
and when he held it in his own he felt relieved and found the situation
tolerable. Renée abandoned this hand of hers, languidly and dreamily.
Public-domain text, read in full here on John Shaqi.
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