The Rush for the Spoil (La Curée): A Realistic NovelZola, Émile
General
The Rush for the Spoil (La Curée): A Realistic Novel
Zola, Émile
Paris (France) -- Social life and customs -- Fiction
not even notice the contact of her flesh. A jerk roused her from her
lethargy. She raised her head, and her grey eyes looked in a bewildered
sort of way at the young man who was seated in the most elegant
attitude.
At this moment, the carriage left the Bois. The Avenue de l'Impératrice
extended in a straight line in the twilight, with the two green borders
of wooden fence which seemed to meet at the horizon. In the distance,
a white horse, on the side-path reserved for riders, appeared like
a bright speck in the midst of the grey shadow. Here and there, on
the opposite side of the roadway, were groups of black dots, belated
pedestrians, slowly wending their steps towards Paris. And, right at
the top, at the end of the mixed and moving line of vehicles, the
Arc-de-Triomphe, placed sideways, stood out all white against a vast
stretch of sky the colour of soot.
Whilst the carriage ascended at a faster pace, Maxime, charmed with
the English appearance of the landscape, examined the whimsically
designed villas on either side of the avenue, with their lawns sloping
down to the footpaths; Renée, still wrapt in reverie, amused herself
by watching at the edge of the horizon the gas-lamps of the Place de
l'Étoile as they were lighted up one by one; and as fast as their
bright glimmers speckled the expiring light with little yellow flames,
she fancied she could hear secret calls, it seemed to her that the
flaring Paris of a winter's night was being illuminated on her account,
and was preparing for her the unknown enjoyment after which her
satiated body hankered.
The carriage turned down the Avenue de la Reine-Hortense, and drew
up at the end of the Rue Monceaux, a few steps from the Boulevard
Malesherbes, in front of a grand mansion situated between a courtyard
and a garden. The two iron gates loaded with gilt ornaments, which
gave admittance to the courtyard, were each flanked by a pair of
lamps, shaped like urns and also covered with gilding, in which flared
great flames of gas. Between the two gates, the doorkeeper occupied an
elegant lodge which vaguely resembled a little Greek temple.
At the moment the carriage was about to enter the courtyard, Maxime
jumped nimbly out.
"You know," said Renée, as she caught hold of his hand to detain him,
"we dine at half-past seven. You have more than an hour to dress in.
Don't keep us waiting."
And she added with a smile:
"We are expecting the Mareuils. Your father wishes you to be very
attentive to Louise."
Maxime shrugged his shoulders.
"What a bore!" murmured he in a sullen tone of voice. "I don't mind
marrying, but as for courting, it's too stupid. Ah! it would be so nice
of you, Renée, if you would deliver me from Louise this evening."
He put on his most comical look, mimicking the grimace and the accent
of the actor Lassouche, as he did every time he was about to make one
of his funny remarks.
"Will you, my pretty darling mamma?"
Public-domain text, read in full here on John Shaqi.
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