The Rush for the Spoil (La Curée): A Realistic NovelZola, Émile
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The Rush for the Spoil (La Curée): A Realistic Novel
Zola, Émile
Paris (France) -- Social life and customs -- Fiction
They passed a night of mad love. Renée was the man, the passionate
acting will. Maxime submitted. What with his lank limbs, his graceful
slimness, like that of a Roman youth, this neutral, fair-haired pretty
being, stricken in his virility since childhood, became a big girl in
the young woman's inquisitive arms. He seemed to have been born and to
have grown up for a perversion of love. Renée enjoyed her domination,
and with her passion she bent this creature, whose sexuality always
seemed indeterminate. For her it was a constant astonishment of desire,
a surprise of the senses, a strange sensation of uncomfortableness
and acute pleasure. She no longer knew what he was; and she thought
doubtingly of his fine skin, his fleshy neck, his abandonment and
fainting fits. She then enjoyed an hour of repletion. By revealing
to her an unknown ecstasy, Maxime completed her foolish toilets, her
prodigious luxury, her mad life. He set in her flesh the high note
which she already heard singing around her. He was the lover who
matched the fashions and follies of the period. This pretty young
fellow whose puny figure was revealed by his attire, this man who ought
to have been a girl, who strolled on the Boulevards, his hair parted
in the middle, with little bursts of laughter and bored smiles, became
in Renée's hands the instrument of one of those debaucheries suited to
days of decline, and which among rotten nations, at certain periods,
use up flesh and unsettle intelligence.
And it was especially in the conservatory that Renée was the man. That
ardent night they spent there was followed by several others. The
conservatory loved and burnt with them. Amid the heavy atmosphere, in
the whitish moonlight, they saw the strange world of plants around
them, moving confusedly and exchanging embraces. The black bearskin
stretched right across the pathway. At their feet the basin steamed
full of a swarming, a thick entanglement, of roots, while the rosy
stars of the Nymphæa opened on the surface of the water like virgin
bodices, and the bushy Tornelias drooped like the hair of languishing
water nymphs. Then around them, the palms and the lofty Indian bamboos
rose up towards the arched roof, near which they leaned and mingled
their leaves together, assuming the unsteady attitudes of tired lovers.
Lower down the ferns, the Pteris, the Alsophilas looked like green
ladies with ample skirts trimmed with symmetrical flounces, and who,
mute and motionless at the edge, of the pathway, awaited love. Beside
them the twisted red-spotted foliage of the Begonias, and the white
leaves shaped like lance heads of the Caladiums, furnished a vague
suite of bruises and pallidities, which the lovers could not explain
to themselves, but amid which they at times discerned roundnesses like
those of hips and knees wallowing on the ground, beneath the brutality
of bleeding caresses. And the Bananas, bending with the weight of their
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