The Rush for the Spoil (La Curée): A Realistic NovelZola, Émile
General
The Rush for the Spoil (La Curée): A Realistic Novel
Zola, Émile
Paris (France) -- Social life and customs -- Fiction
bunches of fruit, spoke to them of the rich fertility of the soil,
while the Abyssinian Euphorbia, the prickly, deformed, tapering stems
of which--covered with horrid excrescences--they could espy in the
darkness, seemed to perspire with sap, with the overflowing flux of
their fiery growth. But by degrees as the lovers' glances dived into
the corners of the conservatory, the darkness was filled with a more
furious debauchery of leaves and stems; they could not distinguish on
the stages the Marantas, soft like velvet, the Gloxinias with violet
bells, the Dracænas resembling blades of old varnished lacquer; it was
a round dance of living plants pursuing each other with unquenched
tenderness. At the four corners, at the point where the curtains of
tropical creepers formed arbours, their carnal fancy grew madder
again, and the supple shoots of the Vanillas, the Indian berries, the
Quisqualis and the Bauhinias seemed to be the interminable arms of
lovers who could not be seen, but who distractedly lengthened their
embrace to draw all scattered delights towards them. These endless arms
drooped with lassitude, locked together in a spasm of love, sought for
each other, entwined together like a crowd bent on copulation. It was,
indeed, the immense copulation of the conservatory, of this bit of
virgin forest ablaze with the foliage and the flowers of the tropics.
Maxime and Renée, with their senses perverted, felt themselves carried
away amid these mighty nuptials of nature. The soil burnt their backs
through the bearskin, and drops of heat fell upon them from the lofty
palms. The sap which arose in the tree trunks penetrated them as well,
and imparted to them mad desires of immediate growth, of gigantic
procreation. They took part in the copulation of the conservatory. It
was then, in the pale glimmer, that visions stupefied them, nightmares
amid which, during long intervals, they beheld the amours of the palms
and ferns; the foliage assumed a confused, equivocal aspect, which
their desires transformed into something sensual; murmurs, whispers
were wafted to them from the clumps of shrubs, faint voices, sighs of
ecstasy, stifled cries of pain, distant laughter, all that was noisy in
their own kisses and that echo sent them back. At times they thought
themselves shaken by an earthquake, as if the earth itself, in a crisis
of satisfied desire, had burst forth into voluptuous sobs.
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