The Rush for the Spoil (La Curée): A Realistic NovelZola, Émile
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The Rush for the Spoil (La Curée): A Realistic Novel
Zola, Émile
Paris (France) -- Social life and customs -- Fiction
If they had closed their eyes, if the suffocating heat and the pale
light had not imparted to them a depravation of every sense, the
aromas alone would have sufficed to throw them into an extraordinary
state of nervous erethism. The basin enveloped them in a deep pungent
aroma, amid which passed the thousand perfumes of the flowers and the
foliage. At times the Vanilla sang with dove-like cooings; then came
the rough notes of the Stanhopeas whose streaked mouths had the same
strong-smelling bitter breath as a convalescent. The orchids, in their
baskets secured by wire chains, also breathed like animated incense
burners. But the odour that predominated, the odour in which all these
vague breaths were mingled, was a human odour, an odour of love, which
Maxime recognised when he kissed Renée on the nape of her neck, when he
plunged his head into her flowing hair. And they remained intoxicated
by this scent, the scent of an amorous woman, which trailed through
the conservatory as in an alcove where earth might be engaged in
procreation.
As a rule, the lovers lay down under the Tanghinia from Madagascar,
under the poisoned shrub, a leaf of which the young woman once had
bitten. Around them the white statues laughed, gazing at the mighty
coupling of foliage. The moon, as it turned, displaced the groups,
and animated the drama with its changing light. They were a thousand
leagues from Paris, far from the easy life of the Bois de Boulogne and
official drawing-rooms, in a corner of some Indian forest, of some
monstrous temple, of which the black marble sphinx became the deity.
They felt themselves rolling to crime, to accursed love, to wild-beast
tenderness. All the pullulation which surrounded them, the swarming
of the basin, the naked immodesty of the foliage, threw them fully
into the Dantesque hell of passion. It was then, in the depths of this
glass cage, boiling over with the flames of summer, lost amid the clear
coldness of December, that they tasted incest, as though it had been
the criminal fruit of some over-heated soil, feeling the while a dim
fear of their terrifying couch.
Public-domain text, read in full here on John Shaqi.
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