The Rush for the Spoil (La Curée): A Realistic NovelZola, Émile
General
The Rush for the Spoil (La Curée): A Realistic Novel
Zola, Émile
Paris (France) -- Social life and customs -- Fiction
The silence seemed to increase, the flames of the candles shot up
higher, the waltz resounded in a softer lullaby along the hangings.
Saccard gave an imperceptible shrug of the shoulders. He again looked
at his wife and his son with a profound air, as if to wring from their
faces an explanation which he could not divine. Then he slowly folded
up the deed and placed it in the pocket of his dress-coat. His cheeks
had become extremely pale.
"You have done well to sign, my dear," he said gently to his wife. "You
gain a hundred thousand francs by doing so. I will give you the money
this evening."
He almost smiled, and his hands alone, retained a trembling. He took a
few steps, adding--
"It's stifling in here! What an idea to come and plot one of your jokes
in this vapour bath!"
And then addressing himself to Maxime, who had raised his head,
surprised by his father's appeased voice:
"Here come with me," he resumed: "I saw you go up, and I came to fetch
you so that you might wish Monsieur de Mareuil and his daughter good
night."
The two men went down talking together. Renée remained alone, standing
in the middle of the dressing-room, looking at the yawning cavity of
the little staircase, in which she had just seen the shoulders of the
father and the son disappear. She could not take her eyes off this
cavity. What, they had gone off, quietly, amicably! These two men had
not murdered each other. She lent an ear; she listened to ascertain if
some atrocious struggle did not make their bodies roll down the stairs.
Nothing! In the tepid darkness, nothing but a noise of dancing--a long
lullaby. She thought she could hear in the distance the marchioness's
laughter and Monsieur de Saffré's clear voice. Then the drama was
ended? Her crime, the kisses in the large grey and pink bed, the wild
nights in the conservatory, all the accursed love that had consumed her
during months, had led to this mean, ignoble ending! Her husband knew
all and did not even beat her. And the silence around her--this silence
through which trailed the endless waltz--terrified her even more than
the sound of murder. She felt afraid of this peacefulness, afraid of
this soft-tinted, discreet dressing-room, full of the scent of love.
Public-domain text, read in full here on John Shaqi.
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