The Rush for the Spoil (La Curée): A Realistic NovelZola, Émile
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The Rush for the Spoil (La Curée): A Realistic Novel
Zola, Émile
Paris (France) -- Social life and customs -- Fiction
She perceived herself in the high glass-door of the wardrobe. She
approached, astonished to see herself, forgetting her husband,
forgetting Maxime, and altogether preoccupied by the strange woman
whom she beheld before her. Madness was rising to her brain. Her
yellow hair, caught up off the temples and the neck, seemed to her a
nudity--an obscenity. The wrinkle of her forehead, deepened to such
a degree that it set a dark bar above her eyes, the thin bluish scar
of a lash with a whip. Who had marked her like that? Her husband had
certainly not raised his hand. And her lips astonished her by their
pallor, her myops' eyes seemed dead to her. How old she looked! She
inclined her brow, and when she beheld herself in her tights, in her
slight gauze blouse, she gazed at herself with lowered eyelashes and
sudden blushes. Who had stripped her naked? What was she doing there,
bare-breasted, like a harlot who uncovers herself down to the belly?
She no longer knew. She looked at her thighs which the tights rounded,
at her hips, the supple lines of which she discerned under the gauze,
at her bust broadly displayed; and she was ashamed of herself, and
contempt for her flesh filled her with inflexible anger against those
who had left her thus, with simple circlets of gold round her ankles
and wrists to hide her skin.
Then trying, with the fixed idea of drowning intelligence, to remember
what she was doing there, quite naked in front of that glass, she
went back by a sudden leap to her childhood. She again saw herself,
as she had been when seven years old, in the solemn gloom of the
Béraud mansion. She remembered a day when Aunt Élisabeth had dressed
them--herself and Christine--in woollen dresses, with a little red
check pattern on a grey ground. It was Christmas-time. How pleased they
were with those two dresses exactly alike! Their aunt spoiled them,
and she carried matters so far as to give each of them a bracelet and
a necklace of coral. The sleeves were long, the dress-bodies rose up
to their chins, the jewellery displayed itself on the stuff, and this
seemed very pretty to them. Renée also remembered that her father
was there, and that he smiled with his sad air. That day, instead of
playing, her sister and herself had walked about the nursery like
grown-up persons for fear of soiling themselves. Then at the Convent
of the Visitation her schoolfellows had joked her about "her clown's
dress," which came down to her finger tips and rose up over her ears.
She had begun to cry during lessons; and when play-time came she
turned up her sleeves, and tucked in her neckband, so that she might
not be derided any longer. And the coral necklace and bracelet seemed
to her much prettier on the skin of her neck and arm. Was it on that
day that she had begun to strip herself?
Public-domain text, read in full here on John Shaqi.
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