The Rush for the Spoil (La Curée): A Realistic NovelZola, Émile
General
The Rush for the Spoil (La Curée): A Realistic Novel
Zola, Émile
Paris (France) -- Social life and customs -- Fiction
And, in the bluish shade of the glass, she thought she could see the
figures of Saccard and Maxime rise up. Saccard, black and sneering,
with a hue of iron, and pincer-like laughter, standing on his skinny
legs. That man was a will. For ten years she had seen him at the
forge, amid the shivers of the reddened metal, with his flesh burnt,
breathless, but still striking, raising hammers twenty times too heavy
for his arms, at the risk of crushing himself. She understood him now;
he seemed to her to have been made taller by this superhuman effort,
this huge rascality, this fixed idea of an immense, immediate fortune.
She remembered him springing over obstacles, rolling in the mud, and
not taking the time to wipe himself, so bent was he upon arriving
early at the goal, not even tarrying to enjoy himself on the road,
but munching his gold pieces while he ran. Then Maxime's fair, pretty
head appeared behind his father's rough shoulders; he had his clear
harlot's smile, his empty strumpet's eyes which were never lowered,
his parting in the middle of his hair showing the whiteness of his
skull. He derided Saccard, he considered him vulgar to give himself
so much trouble to earn money, which he, Maxime, expended with such
adorable laziness. He was kept. His long soft hands testified to his
vices. His hairless body had the wearied attitude of a satisfied woman.
Not even a flash of curiosity as to sin shone in all his cowardly,
sluggish being, through which vice gently coursed like so much warm
water. He did not initiate, he underwent. And Renée, looking at the
two apparitions emerge from the slight shade of the mirror, retreated
a step, and saw that Saccard had thrown her like a stake, like an
investment, and that Maxime had chanced to be there to pick up this
louis fallen from the speculator's pocket. She had been an asset in her
husband's pocket-book; he had urged her on to the toilettes of a night,
to the lovers of a season; he had twisted her in the flames of his
forge, employing her, as though she had been a precious metal, to gild
the iron of his hands. Little by little the father had thus rendered
her mad enough, depraved enough for the kisses of the son. If Maxime
were Saccard's impoverished blood, she felt that she herself was the
product, the worm-eaten fruit of these two men, the pit of infamy which
they had dug together, and into which they both rolled.
Public-domain text, read in full here on John Shaqi.
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