The Rush for the Spoil (La Curée): A Realistic NovelZola, Émile
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The Rush for the Spoil (La Curée): A Realistic Novel
Zola, Émile
Paris (France) -- Social life and customs -- Fiction
She knew it now it was these men who had stripped her naked. Saccard
had unhooked her dress-body, and Maxime had loosened her skirt. Then,
between them, they had just torn off her chemise. At present she was
without a rag, merely with golden rings, like a slave. They had looked
at her a little while before, but they had not said to her, "You are
naked." The son had trembled like a coward, had shuddered at the
thought of carrying his crime to the end, had refused to follow her in
her passion. The father, instead of killing her, had robbed her; this
man punished people by emptying their pockets; a signature fell like a
sunray amid the brutality of his anger, and, by way of vengeance, he
carried the signature off. Then she had seen their shoulders retreat
into the darkness. No blood upon the carpet, not a cry, not a moan.
They were cowards. They had stripped her naked.
And she said to herself that on one sole occasion she had read the
future--on the day when, in sight of the murmuring shadows of the Parc
Monceaux, the thought that her husband would soil her, and bring her
one day to madness, had come and frightened her growing desires. Ah!
how her poor head suffered! how she realised now the fallacy of the
idea which had made her believe that she lived in a happy sphere of
divine enjoyment and impunity! She had lived in the land of shame, and
she was chastised by the abandonment of her whole body, by the death
of her agonizing being. She wept that she had not listened to the loud
voices of the trees.
Public-domain text, read in full here on John Shaqi.
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